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Challenges to the Power of Zeus in Early Greek Poetry
In the earliest extant works of Greek literature, Zeus reigns supreme in the Olympian hierarchy. However, scattered and scanty though they may be, there are allusions to threats of rebellion which challenge Zeus' supremacy. This book examines these passages, drawn from Homer, Hesiod and the "Homeric Hymns", to offer some new interpretations. While focusing on the theme of cosmic/divine strife, it becomes clear that hints of lost legends underlie these texts. Tracing their hidden logic helps to improve our understanding of early Greek poetry.
The Staying Power of Thetis
In 1991, Laura Slatkin published The Power of Thetis: Allusion and Interpretation in the Iliad, in which she argued that Homer knowingly situated the storyworld of the Iliad against the backdrop of an older world of mythos by which the events in the Iliad are explained and given traction. Slatkin’s focus was on Achilles’ mother, Thetis: an ostensibly marginal and powerless goddess, Thetis nevertheless drives the plot of the Iliad, being allusively credited with the power to uphold or challenge the rule of Zeus. Now, almost thirty years after Slatkin’s publication, this timely volume re-examines depictions and receptions of this ambiguous goddess, in works ranging from archaic Greek poe...
Platonic Drama and Its Ancient Reception
As prose dramatic texts Plato's dialogues would have been read by their original audience as an alternative type of theatrical composition. The 'paradox' of the dialogue form is explained by his appropriation of the discourse of theatre, the dominant public mode of communication of his time. The oral performance of his works is suggested both by the pragmatics of the publication of literary texts in the classical period and by his original role as a Sokratic dialogue-writer and the creator of a fourth dramatic genre. Support comes from a number of pieces of evidence, from a statue of Sokrates in the Academy (fourth century BC) to a mosaic of Sokrates in Mytilene (fourth century AD), which point to a centuries-old tradition of treating the dialogues in the context of performance literature and testify to the significance of the image of 'Plato the prose dramatist' for his original and subsequent audiences.
A New Politics for Philosophy
A New Politics for Philosophy: Perspectives on Plato, Nietzsche, and Strauss presents meticulous readings of key philosophical works of towering figures from both the classical and modern intellectual traditions: Protagoras, Aeschylus, Xenophon, Plato, Nietzsche, and Leo Strauss. Inspired by the scholarship of Laurence Lampert, this international group of scholars explores questions of the nature or identity of the philosopher. The chapters touch on topics ranging from Plato’s Charmides, Aeschylus’ Prometheia Trilogy, Xenophon’s Hiero or Tyrannicus, Nietzsche’s Thus Spoke Zarathustra and Ecce Homo, Nietzsche’s Plato, whether Nietzsche thought of himself as a modern-day Socrates, philosophy’s relationship to science, the function of the noontide image in the center of Part IV of Nietzsche’s Zarathustra, a re-evaluation of the young Nietzsche’s break from the spell of Schopenhauer, the dramatic date of the conversation presented in Plato’s Republic, Leo Strauss’s account of the modern break with classical political philosophy, and Nietzschean environmentalism. The book also includes an interview with Laurence Lampert.
Archaic Syntax in Indo-European
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
Absolute Constructions in Early Indo-European
A thorough examination of the nature and function of absolute constructions in Greek, Latin and Sanskrit.
Heracles and Euripidean Tragedy
Euripides' Heracles is an extraordinary play of great complexity, exploring the co-existence of both positive and negative aspects of the eponymous hero. Euripides treats Heracles' ambivalence by showing his uncertain position after the completion of his labours and turns him into a tragic hero by dramatizing his development from the invincible hero of the labours to the courageous bearer of suffering. This book offers a comprehensive reading of Heracles examining it in the contexts of Euripidean dramaturgy, Greek drama and fifth-century Athenian society. It shows that the play, which raises profound questions on divinity and human values, deserves to have a prominent place in every discussion about Euripides and about Greek tragedy. Tracing some of Euripides' most spectacular writing in terms of emotional and intellectual effect, and discussing questions of narrative, rhetoric, stagecraft and audience reception, this work is required reading for all students and scholars of Euripides.
The World of Ion of Chios
Sixteen international contributors offer the first comprehensive examination of the life, works and reception of Ion of Chios, the prolific and innovative fifth century BC writer (variously prose and poetry) on classical Greek mythology, history and society.
Orphic Tradition and the Birth of the Gods
Meisner offers a new interpretation of four Orphic theogonies: Derveni, Eudemian, Hieronyman, and Rhapsodic. The fragments of these poems, thought to be written by Orpheus, contained narratives of the creation of the cosmos and the births of the gods, but differed from the mainstream account of Hesiod's Theogony.
Roots of Ancient Greek Civilization
Contrary to a prevalent belief of the Western world, that democracy, agriculture, theater and the arts were the attainments of Classical Greek civilization, these were actually a Bronze Age fusion of earlier European concepts and Hellenic ingenuity. This work considers both the multicultural wellspring from which these ideas flowed and their ready assimilation by the Greeks, who embraced these hallmarks of civilization, and refined them to the level of sophistication that defines classical antiquity.
