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Opera
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
The Wrights of Vermont: Searching for My Father's Family
When my sister and brother and I were growing up on Staten Island, Dad told us very little about his Vermont boyhood, and nothing at all about his father. We respected his silence. We figured he had good reason for it. But long after Dad's death, my sister and I started to look more closely at our family history. Soon we were connected to a world of New England striving and struggle that we came to see as part of our own Vermont heritage. So this is the story of Dad and his mother and brother, and his unreliable father, and his father's five sisters, whom we'd known nothing about before we began our research. It pays tribute to an everyday heroine, Dad's mother, who took her sons to Staten Island to begin a new life when her marriage failed. It also traces earlier Wrights (and forebears with other surnames, like Little, Bailey, Hadley, Hathaway, Shattuck, Blanchard, and Burt) in towns all over Vermont (and New Hampshire and Massachusetts), some of them with their own compelling stories -- farmers, soldiers, railroad men, miners, housewives, and keepers of inns and hotels. These are my Wrights of Vermont.
Opera Observed
William C. Holmes provides a rare look behind the scenes into the world of early eighteenth-century Italian opera. Based on a rich store of newly recovered documents, mainly the personal papers of Luca Casimiro degli Albizzi, this social history illuminates the complexities of staging opera in the 1720s and '30s: the role of the impresario in planning an operatic season, financial and artistic difficulties, the importance of patronage, the power of individual singers and composers, considerations of set design, and the practice of altering librettos. A member of an illustrious Florentine family, Albizzi (1664-1745) served as one of the principal impresarios of the Pergola, Florence's earliest and greatest opera theater. He also carried on an active correspondence with impresarios in other cities, freely giving his advice on various economic and artistic concerns. Holmes uses the Albizzi family archives—the most abundant and varied material yet available about an eighteenth-century impresario and his theater—to deepen our knowledge of an extraordinary but little understood period in Italian opera. This book will appeal to anyone curious about operatic history.
Voice, Slavery, and Race in Seventeenth-Century Florence
"Grounded in new archival research documenting a significant presence of foreign and racially-marked individuals in Medici Florence, this book argues for the relevance of such individuals to the history of Western music and for the importance of sound-particularly musical and vocal sounds-to systems of racial and ethnic difference. Many of the individuals discussed in these pages were subject to enslavement or conditions of unfree labor; some labored at tasks that were explicitly musical or theatrical, while all intersected with sound and with practices of listening that afforded full personhood only to particular categories of people. Integrating historical detail alongside contemporary per...
Music as Social and Cultural Practice
"The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the 'work' within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historical writings can reveal period views on the 'work' in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighte...
The Operas of Leonardo Vinci, Napoletano
Vinci produced a string of operas during a brief career of little more than a decade. He died mysteriously. He was hailed by connoisseurs of the later 18th century as one of the originators of the classical style.
The Renaissance World
With an interdisciplinary approach that encompasses the history of ideas, political history, cultural history and art history, this volume, in the successful Routledge Worlds series, offers a sweeping survey of Europe in the Renaissance, from the late thirteenth to early seventeenth centuries, and shows how the Renaissance laid key foundations for many aspects of the modern world. Collating thirty-four essays from the field's leading scholars, John Jeffries Martin shows that this period of rapid and complex change resulted from a convergence of a new set of social, economic and technological forces alongside a cluster of interrelated practices including painting, sculpture, humanism and scie...
A Sociable Moment
A Sociable Moment is the first book to examine the rise of opera in Siena during the Baroque. It focuses both on opera as a manifestation of civic self-fashioning and sociability, especially in pastoral works promoted by the expatriate Chigi family, and opera as business under the impresario Girolamo Gigli.
The Grotesque Dancer on the Eighteenth-century Stage
Italian ballet in the eighteenth century was dominated by dancers trained in the style known as "grotesque"—a virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri’s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for investigating this influential type of ballet and its connections to the operatic and theatrical genres of its day. The Grotesque Dancer on the Eighteenth-Century Stage examines the theatrical world of the ballerino grottesco, Magri’s own career as a dancer in I...
