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O'Neill's Shakespeare
Reveals unexplored links between Shakespeare's plays and the work of Eugene O'Neill
Manuscript, Narrative, Lexicon
Each of these essays considers the convoluted nature of the transmission process in question, and reconsiders the historical framework that has informed our own reception of it."--BOOK JACKET.
Tudor England
This is the first encyclopedia to be devoted entirely to Tudor England. 700 entries by top scholars in every major field combine new modes of archival research with a detailed Tudor chronology and appendix of biographical essays. Entries include: * Edward Alleyn [actor/theatre manager] * Roger Ascham * Bible translation * cloth trade * Devereux family * Espionage * Family of Love * food and diet * James Hepburn, Earl of Bothwell * inns * Ket's Rebellion * John Lyly * mapmaking * Frances Meres * miniature painting * Pavan * Pilgrimage of Grace * Revels Office * Ridolfi plot * Lady Mary Sidney, Countess of Pembroke * treason * and much more. Also includes an 8-page color insert.
Magnum Opus
An original and provocative analysis of Eugene O'Neill's unfinished cycle play project From 1935 to 1939, Eugene O'Neill worked on a series of plays that would trace the history of an American family through several generations. He completed just two of the proposed eleven plays--A Touch of the Poet and More Stately Mansions--which Zander Brietzke argues represent the core of the entire cycle. Combining archival research, literary analysis, and theatrical imagination, Magnum Opus invites an audience to see this unusual and exciting epic as a historical drama of our time.
1999 Lectures and Memoirs
Volume 105 of the Proceedings of the British Academy contains 11 British Academy lectures and 15 obituaries of Fellows of the British Academy.
Toward a Theater of the Oppressed
Assesses the dramaturgy and political significance of one of our most radical contemporary playwrights
The Cambridge Companion to Eugene O'Neill
Specially commissioned essays explore the life and work of Eugene O'Neill from his earliest writings to Long Day's Journey Into Night.
Eugene O'Neill's America
In the face of seemingly relentless American optimism, Eugene O’Neill's plays reveal an America many would like to ignore, a place of seething resentments, aching desires, and family tragedy, where failure and disappointment are the norm and the American dream a chimera. Though derided by critics during his lifetime, his works resonated with audiences, won him the Nobel Prize and four Pulitzer, and continue to grip theatergoers today. Now noted historian John Patrick Diggins offers a masterly biography that both traces O’Neill’s tumultuous life and explains the forceful ideas that form the heart of his unflinching works. Diggins paints a richly detailed portrait of the playwright’s l...
The Spenser Encyclopedia
'This masterly work ought to be The Elizabethan Encyclopedia, and no less.' - Cahiers Elizabethains Edmund Spenser remains one of Britain's most famous poets. With nearly 700 entries this Encyclopedia provides a comprehensive one-stop reference tool for: * appreciating Spenser's poetry in the context of his age and our own * understanding the language, themes and characters of the poems * easy to find entries arranged by subject.
Vows, Veils, and Masks
Vows, Veils, and Masks offers a bold and timely approach to the plays of Eugene O’Neill with its attention to the engagements, weddings, and marriages so crucial to the tragic action in O’Neill’s works. Specifically, the book examines the culturally sanctioned traditions and gender roles that underscored marital life in the early twentieth century, and that still haunt and define love and partnership in the modern age. Weaving in artifacts like advice columns, advertisements, theatrical reviews, and even the lived experiences of the actors who brought O’Neill’s wife characters to life, Beth Wynstra points to new ways of seeing and empathizing with those who are betrothed and new possibilities for reading marriage in literary and dramatic works. She suggests that the various ways women were, and still are, expected to divert from their true ambitions, desires, and selves in the service of appropriate wifely behavior is a detrimental performance and one at the crux of O’Neill’s marital tragedies. This book invites more inclusive and nuanced ways of thinking about the choices married characters must make and the roles they play, both on and off the stage.
