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"The preeminent collector Norton Simon amassed more than 100 Italian paintings during his 35-year career, and today they stand among the treasures of the Norton Simon Museum. In this catalogue noted art historian Sir Nicholas Penny pairs 47 paintings from the 17th and 18th centuries with in-depth commentary, skillfully interweaving tales from the artists' lives, observations on the artists' influences and patronage, and technical notes"--
"I'm grateful for this. Muchnic draws a sharp picture of Simon's astute collecting and his contrarian career. The setting is fascinating too--Los Angeles since the 1950s, making itself into a cultural capital."--John Walsh, Director, J. Paul Getty Museum
A Living Work of Art: The Norton Simon Museum Sculpture Garden tells the fascinating story of the evolution of the Museum property into the lush and inspiring garden it is today. After a rich history as a California landmark and art institution, the Museum and garden underwent a major renovation in the late 1990s under the direction of architect Frank Gehry. As part of the Museum's renovation, landscape designer Nancy Goslee Power reimagined the property, transforming it into a verdant park inspired by Monet's garden at Giverny. The spectacular pond and year-round palette of color delight visitors, as do the monumental sculptures that greet visitors at the entrance, and then surprise those e...
Artworks Purchased by Norton Simon 1954-1989: (p. 243-461).
"Edgar Degas (1834–1917) was one of the first artists collected by the American industrialist, philanthropist, and art collector Norton Simon (1907–1993). Over the course of nearly three decades of art acquisition, Simon purchased more than a hundred works by Degas, including paintings, bronzes, and pastels. This comprehensive and beautiful collections catalogue of the artworks by Degas now housed in the Norton Simon Museum in Pasadena, California, offers not only a fascinating insight into the evolution of Simon's extensive and remarkable collection of pieces by the French impressionist, but also a descriptive and informative account of the current collection prepared by leading Degas scholars."--front cover
An exploration of the fascinating parallels and differences between Picasso's Woman with a Book and Ingres's Madame Moitessier This publication examines, in detail, two extraordinary interrelated works: Picasso's Woman with a Book (1932) and Ingres's Madame Moitessier (1844-56). Each painting is explored in depth, illuminating the parallels and differences between the artists' techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres's Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso's Woman with a Book, among the most celebrated likenesses of the artist's young lover, Marie-Thérèse Walter. In contrast to Ingres's work, it was painted in just a day or two. The final essay explores, through these two works, the artists' shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso's engagement with Madame Moitessier, which motivates and animates Woman with a Book.
“A sweet and child-sensitive addition to any picture-book collection.” —Kirkus Reviews When Hector comes across an acorn, he discovers a love for collecting them in all shapes and sizes. They were all different. They were all the same. They were all beautiful. One day his teacher finds his desk filled with acorns, and his classmates make fun of poor Hector. But they soon learn that all collections are special—whether coins, stuffed animals, songs, or seashells—and that some collections are also meant for sharing, like the paintings in an art museum or the books at a public library. Hector the Collector is a charming and evocative story that celebrates the joy of collecting and how collections can grow into the most breathtaking museums in the world.