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Instruments in Art and Science
This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the openingof new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on whatactually defines an instrument and to develop a series of...
Visions of Nature
"This volume, which includes a number of Haeckel's drawings and watercolours which have never been published before, is the first detailed overview of the scientist and artist's vast output and provides a lively picture of his exceptional talent."--BOOK JACKET.
Imagery in the 21st Century
Scholars from science, art, and humanities explore the meaning of our new image worlds and offer new strategies for visual analysis. We are surrounded by images as never before: on Flickr, Facebook, and YouTube; on thousands of television channels; in digital games and virtual worlds; in media art and science. Without new efforts to visualize complex ideas, structures, and systems, today's information explosion would be unmanageable. The digital image represents endless options for manipulation; images seem capable of changing interactively or even autonomously. This volume offers systematic and interdisciplinary reflections on these new image worlds and new analytical approaches to the visu...
Visual Analogy
A groundbreaking book exploring the discovery of sameness in otherness. Recuperating a topic once central to philosophy, theology, rhetoric, and aesthetics, this groundbreaking book explores the discovery of sameness in otherness. Analogy poses an intriguingly ancient and modern conundrum. How, in the face of cultural diversity, can a unique someone or something be perceived as like what it is not? This book is for anyone puzzled by why today, as Barbara Maria Stafford claims, "we possess no language for talking about resemblance, only an exaggerated awareness of difference." Well-designed images, Stafford argues, reveal the mind's intuitive leaps to connect known with unknown experience. Th...
The Gestation of German Biology
This book explores how and when biology emerged as a science in Germany. Beginning with the debate about organism between Georg Ernst Stahl and Gottfried Leibniz at the start of the eighteenth century, John Zammito traces the development of a new research program, culminating in 1800, in the formulation of developmental morphology. He shows how over the course of the century, naturalists undertook to transform some domains of natural history into a distinct branch of natural philosophy, which attempted not only to describe but to explain the natural world and became, ultimately, the science of biology.
Forces of Nature
Um 1800 diskutierte man über Naturkräfte in verschiedenen wissenschaftlichen und künstlerischen Zusammenhängen: Anziehung und Abstoßung, Lebenskräfte und elektrische Ströme, der "Bildungstrieb" und biologische Organismen wurden als Kräfte untersucht, die sich auf „natürliche" Prozesse zurückführen lassen. Literatur, Wissenschaft und Philosophie der deutschsprachigen Romantik von Schelling bis zu Günderrode und Hölderlin arbeiteten sich an Konzepten von Kräften ab, die als dynamisch und in beständiger Tätigkeit begriffen wurden – Kräfte, die auch menschliche Handlungen, soziale Strukturen und kulturelle Entwicklungen einzuschließen schienen. Der Band erkundet Vor- und Darstellungen von Naturkräften in der Romantik an der Schnittstelle von Naturwissenschaft und kulturellen Vorstellungswelten.
Theory and Method In The Neurosciences
Theory and Method in the Neurosciences surveys the nature and structure of theories in contemporary neuroscience, exploring many of its methodological techniques and problems. The essays in this volume from the Pittsburgh -Konstanz series explore basic questions about how to relate theories of neuroscience and cognition, the multilevel character of such theories, and their experimental bases. Philosophers and scientists (and some who are both) examine the topics of explanation and mechanisms, simulation and computation, imaging and animal models that raise questions about the forefront of research in cognitive neuroscience. Their work will stimulate new thinking in anyone interested in the mind or brain and in recent theories of their connections.
Collection - Laboratory - Theater
This volume launches a new, eight-volume series entitled Theatrum Scientiarum on the history of science and the media which has arisen from the work of the Berlin special research project on "Performative Cultures" under the aegis of the Theatre Studies Department of the Free University. The volume examines the role of space in the constitution of knowledge in the early modern age. "Kunstkammern" (art and curiosities cabinets), laboratories and stages arose in the 17th century as instruments of research and representation. There is, however, still a lack of precise descriptions of the epistemic contribution made by material and immaterial space in the performance of knowledge. Therefore, the...
Concepts of morphology
Morphology is the general theory of form and formation, which can be seen as the innovative and fruitful point of intersection of the old two cultures, the scientific and the humanistic. The three papers presented in the book by Olaf Breidbach, Pietro Corvaja and Angelo Vianello respectively illustrate different features of morphology from the epistemic viewpoints of history of science, mathematics and biology. The texts were produced in the context of the second meeting of the “Centro Interdipartimentale di Morfologia F. Moiso”, which took place in Udine on the 14 December 2007.
Evolutionary Aesthetics
Evolutionary aesthetics is the attempt to understand the aesthetic judgement of human beings and their spontaneous distinction between "beauty" and "ugliness" as a biologically adapted ability to make important decisions in life. The hypothesis is - both in the area of "natural beauty" and in sexuality, with regard to landscape preferences, but also in the area of "artificial beauty" (i.e. in art and design) - that beauty opens up fitness opportunities, while ugliness holds fitness risks. In this book, this adaptive view of aesthetics is developed theoretically, presented on the basis of numerous examples, and its consequences for evolutionary anthropology are illuminated.
