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Visions of Nature
"This volume, which includes a number of Haeckel's drawings and watercolours which have never been published before, is the first detailed overview of the scientist and artist's vast output and provides a lively picture of his exceptional talent."--BOOK JACKET.
René Binet
The world's enthusiasm for Art Nouveau reached its apex at The World Fair in Paris in 1900. There René Binet created the main entrance, "la Porte Monumentale." To coincide with the exposition, Binet published in Esquisses decoratives (1896) the plate designs for the gate, along with other sketches of furniture, jewelry, wallpaper, lighting, stained glass windows, signs, wrought iron, and architectural details. The entire collection of Binet's sketches for Esquisses decoratives are beautifully presented here in color and black and white. Like his renowned gate, they feature the organic structures and intricate embellishments that mirror the great variety of patterns and ornamentation found in the microcosm of nature and epitomize the Art Nouveau aesthetic. Binet credited scientist and artist Ernst Haeckel's work on radiolarians as his inspiration. Two prominent experts on art and architectural history lend their perspectives to this important work in the realm of the decorative arts.
Art Forms from the Ocean
At the nexus of art and science, this dazzling new edition of Ernst Haeckel's first work reintroduces the genius of an enigmatic scientist and passionate observer of the natural world. Although original editions of this book are extremely rare, it is now available for the first time in a paperback edition, beautifully reproducing his drawings and watercolours. While the variety and detail of Haeckel's drawings display an impressive understanding of biological structure, the skill with which Haeckel drew these tiny, aquatic protozoa renders them genuine works of art. This volume features commentary and descriptions of each of the radiolarians from Haeckel's work.
The Gestation of German Biology
This book explores how and when biology emerged as a science in Germany. Beginning with the debate about organism between Georg Ernst Stahl and Gottfried Leibniz at the start of the eighteenth century, John Zammito traces the development of a new research program, culminating in 1800, in the formulation of developmental morphology. He shows how over the course of the century, naturalists undertook to transform some domains of natural history into a distinct branch of natural philosophy, which attempted not only to describe but to explain the natural world and became, ultimately, the science of biology.
Evolutionary Aesthetics
Evolutionary aesthetics is the attempt to understand the aesthetic judgement of human beings and their spontaneous distinction between "beauty" and "ugliness" as a biologically adapted ability to make important decisions in life. The hypothesis is - both in the area of "natural beauty" and in sexuality, with regard to landscape preferences, but also in the area of "artificial beauty" (i.e. in art and design) - that beauty opens up fitness opportunities, while ugliness holds fitness risks. In this book, this adaptive view of aesthetics is developed theoretically, presented on the basis of numerous examples, and its consequences for evolutionary anthropology are illuminated.
Instruments in Art and Science
This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening of new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on what actually defines an instrument and to develop a series ...
Annals of the History and Philosophy of Biology 10/2005
The name DGGTB (Deutsche Gesellschaft für Geschichte und Theorie der Biologie; German Society for the History and Theory of Biology) reflects recent history as well as German tradition. The Society is a relatively late addition to a series of German societies of science and medicine that began with the »Deutsche Gesellschaft für Geschichte der Medizin und der Naturwissenschaften«, founded in 1910 by Leipzig University's Karl Sudhoff (1853-1938), who wrote: »We want to establish a ,German' society in order to gather German-speaking historians together in our special disciplines so that they form the core of an international society...«. Yet Sudhoff, at this time of burgeoning academic i...
Plastidules to Humans
The name DGGTB (Deutsche Gesellschaft für Geschichte und Theorie der Biologie; German Society for the History and Theory of Biology) reflects recent history as well as German tradition. The Society is a relatively late addition to a series of German societies of science and medicine that began with the "Deutsche Gesellschaft für Geschichte der Medizin und der Naturwissenschaften", founded in 1910 by Leipzig University's Karl Sudhoff (1853-1938), who wrote: "We want to establish a, German' society in order to gather German-speaking historians together in our special disciplines so that they form the core of an international society ... ". Yet Sudhoff, at this time of burgeoning academic int...
Collection - Laboratory - Theater
This volume launches a new, eight-volume series entitled Theatrum Scientiarum on the history of science and the media which has arisen from the work of the Berlin special research project on "Performative Cultures" under the aegis of the Theatre Studies Department of the Free University. The volume examines the role of space in the constitution of knowledge in the early modern age. "Kunstkammern" (art and curiosities cabinets), laboratories and stages arose in the 17th century as instruments of research and representation. There is, however, still a lack of precise descriptions of the epistemic contribution made by material and immaterial space in the performance of knowledge. Therefore, the...
Technological Change in Modern Surgery
Technological change in surgery: an introductory essay / Thomas Schlich and Christopher Crenner -- Inimitable innovation : Johann Friedrich Dieffenbach and the renewal of surgery, 1822-1847 / Lisa Haushofer -- Defining difference : competing forms of ovarian surgery in the nineteenth century / Sally Frampton -- Making bad boys good? : brain surgery and the juvenile court in progressive era America / Delia Gavrus -- Prosthetic imaginaries : spinal surgery and innovation from the patient's perspective / Beth Linker -- Disruptive potential : the 'landmark' rematch trial, left ventricular assist device (LVAD) technology, and the surgical treatment of heart failure in the United States / Shelley McKellar -- Placebos and the progress of surgery / Christopher Crenner -- Surgical practice and the reconstruction of the therapeutic niche : the case of myocardial revascularization / David S. Jones
