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Democracy, Civic Culture and Small Business in Russia's Regions
This book adopts a novel analytical approach to understanding how Russia's stalled democratisation is related to the incomplete liberalisation of the economy. Based on extensive original comparative study of Russia’s regions, the book explores the precise channels of interaction that create the mutuality of property rights, entrepreneurship, rule of law, norms of citizenship and liberal democracy. It demonstrates that the extent of democratisation varies across regions, and that this variation is connected to the extent of liberalisation of the economy. Moreover, it argues that the key factor in producing this linkage is the relative prominence of small business owners and their supporters in articulating their interests vis-à-vis regional and local administrations, especially through the institutionalisation of networks and business associations. The book develops its key theses by means of detailed analysis of the experiences of four case study regions. Overall, the book provides a major contribution to understanding the path of democratisation in Russia.
Macromolecular Self-Assembly
This book describes techniques of synthesis and self-assembly of macromolecules for developing new materials and improving functionality of existing ones. Because self-assembly emulates how nature creates complex systems, they likely have the best chance at succeeding in real-world biomedical applications. • Employs synthetic chemistry, physical chemistry, and materials science principles and techniques • Emphasizes self-assembly in solutions (particularly, aqueous solutions) and at solid-liquid interfaces • Describes polymer assembly driven by multitude interactions, including solvophobic, electrostatic, and obligatory co-assembly • Illustrates assembly of bio-hybrid macromolecules and applications in biomedical engineering
Self Organized Nanostructures of Amphiphilic Block Copolymers I
Conformations and Solution Properties of Star-Branched Polyelectrolytes, by Oleg V. Borisov, Ekaterina B. Zhulina, Frans A. M. Leermakers, Matthias Ballauff and Axel H. E. Müller; Self-Assembled Structures of Amphiphilic Ionic Block Copolymers: Theory, Self-Consistent Field Modeling and Experiment, by Oleg V. Borisov, Ekaternia B. Zhulina, Frans A. M. Leermakers and Axel H. E. Müller; Interpolyelectrolyte Complexes Based on Polyionic Species of Branched Topology, by Dmitry V. Pergushov, Oleg V. Borisov, Alexander B. Zezin and Axel H. E. Müller; Co-assembly of Charged Copolymers as a Novel Pathway Towards Reversible Janus Micelles, by Ilja K. Voets, Frans A. Leermakers, Arie de Keizer, Marat Charlaganov and Martien A. Cohen Stuart; Fluorescence Spectroscopy as a Tool for Investigating the Self-Organized Polyelectrolyte Systems, by Karel Procházka, Zuzana Limpouchová, Filip Uhlík, Peter Košovan, Pavel Matejícek, Miroslav Štepánek, Mariusz Uchman, Jitka Kuldová, Radek Šachl, Jana Humpolícková, and M. Hof
Self Organized Nanostructures of Amphiphilic Block Copolymers II
Block Copolymer Surfactant Mixtures in Aqueous Solution: Can we Achieve Size and Shape Control by Co-Micellization?, by Thomas Hellweg; Non-ionic Thermoresponsive Polymers in Water, by Vladimir Aseyev, Heikki Tenhu and Françoise Winnik; From Coordination Polymers to Hierarchical Self-Assembled Structures, by Yun Yan, Arie de Keizer, Martien A. Cohen Stuart and Nicolaas A. M. Besseling; Processes of Ordered Structure Formation in Polypeptide Thin Film Solutions, by Ioan Botiz, Helmut Schlaad and Günter Reiter; Amphiphilic Polymers at Interfaces, by Katarzyna Kita-Tokarczyk, Mathias Junginger, Serena Belegrinou and Andreas Taubert;
LIFE
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Macromolecular Self-Assembly
This book describes techniques of synthesis and self-assembly of macromolecules for developing new materials and improving functionality of existing ones. Because self-assembly emulates how nature creates complex systems, they likely have the best chance at succeeding in real-world biomedical applications. • Employs synthetic chemistry, physical chemistry, and materials science principles and techniques • Emphasizes self-assembly in solutions (particularly, aqueous solutions) and at solid-liquid interfaces • Describes polymer assembly driven by multitude interactions, including solvophobic, electrostatic, and obligatory co-assembly • Illustrates assembly of bio-hybrid macromolecules and applications in biomedical engineering
Encyclopedia of Contemporary Russian Culture
This addition to the highly successful Contemporary Cultures series covers the period from period 1953, with the death of Stalin, to the present day. Both ‘Russian’ and ‘Culture’ are defined broadly. ‘Russian’ refers to the Soviet Union until 1991 and the Russian Federation after 1991. Given the diversity of the Federation in its ethnic composition and regional characteristics, questions of national, regional, and ethnic identity are given special attention. There is also coverage of Russian-speaking immigrant communities. ‘Culture’ embraces all aspects of culture and lifestyle, high and popular, artistic and material: art, fashion, literature, music, cooking, transport, poli...
Moscow Performances
The reviews and features collected in John Freedman's Moscow Performances bring to life the diversity, energy, and imagination of Russian theater as few books have done before. While focusing on the work of Moscow's leading directors - Pyotr Fomenko, Kama Ginkas, Valery Fokin, Anatoly Vasilyev, Konstantin Raikin, Sergei Zhenovach, Yury Lyubimov, and many others - also included in its review are key productions by many of the renowned guests who bring their art to the Russian capital. Essays on St. Petersburg's Lev Dodin (of the Maly Drama Theatre), Lithuania's Eimuntas Nekrosius, Georgia's Robert Sturua, and Germany's Peter Stein confirm that Moscow's position as a "theatrical mecca" has not diminished since Anatoly Lunacharsky coined the phrase in the 1920s. In addition to recording Freedman's immediate and opinionated responses to Moscow stage developments in the 1990s, Moscow Performances contains a wealth of information about the struggles and occasional triumphs of a new generation of talented but as yet unknown playwrights, the successes of the best actors, and the social and financial trends which have had such an impact on Russian theatre in the post-Soviet period.
An Actor's Work
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
Soviet Art House
Drawing on documents from archives in St Petersburg and Moscow, the analysis portrays film production "in the round" and shows that the term "censorship" is less appropriate than the description preferred in the Soviet film industry itself, "control," which referred to a no less exigent but far more complex and sophisticated process. The book opens with four framing chapters that examine the overall context in which films were produced. The two opening chapters trace the various crises that beset film production between 1961 and 1970 (Chapter 1) and 1970 and 1985 (Chapter 2). These are followed by a chapter on the working life of the studio and particularly the technical aspects of production (Chapter 3), and a chapter on the studio aesthetic (Chapter 4). The second part of the book comprises close analyses of fifteen films that are particularly typical of the studio's production and which had especial impact within the studio and beyond. .
