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The Former Soviet Union and East Central Europe between Conflict and Reconciliation
This volume examines the role of identity formation and stages of sequencing of the steps of reconciliation – which is an enduring rather than ad an ad hoc phenomenon. RIPAR 4 asks for both the challenges to it from the domestic and international systems and the actors involved, as well as for the role of »history,« »memory« and »remembrance« either as catalysts for or obstacles to reconciliation. The analyzing of the connection among the past, the present and the future in actual or prospective reconciliation embraces all these topics and questions.Influenced by the crisis in the former Sovjet Union following the March 2014 Russian annexation/integration of Crimea and the movement o...
Staline sans prisme
Rescapé de la misère, communiste précoce, réputé médiocre et peu cultivé, bien qu'on lui reconnaisse un talent de redoutable stratège : voilà le Staline consensuel. Et si ce portrait était trompeur sur toute la ligne ? Intellectuel issu de la petite notabilité et tôt rallié au nationalisme géorgien, érudit et même poète, celui qu'on appelle le tyran rouge fut sciemment placé dans ses fonctions pour diriger l'une des plus sanglantes dictatures du siècle passé. Cet essai, suivi d'entretiens inédits avec plusieurs chercheurs, propose une démythification en règle de Staline pour une histoire amorale et sans prisme.
Everyday foreign policy
While everyday high level practices have become an important area of study, the everyday of the every(wo)man has been overlooked both in theoretical and empirical conceptualizations. Building on feminist, sociological, and ethnographic research, this book argues that everyday foreign policy is an assemblage – a combination of physical and cultural practices that inhabit digital and bodily spaces. Following the feminist call to liberate international relations from the straitjacket of high politics, this book contextualizes foreign policy within daily practices of regular citizens, who also have their own motivation behind reposting memes, eating a certain kind of cheese or shaming women for their dating preferences. This book focuses on Russian grass roots foreign policy after the annexation of Crimea, zeroing in on fetishization of Putin, militarization, sanctions, Russian-Turkish and Russian-American relations, FIFA World Cup and the COVID-19 pandemic.
The Memory of the Second World War in Soviet and Post-Soviet Russia
This volume showcases important new research on World War II memory, both in the Soviet Union and in Russia today. Through an examination of war remembrance in its various forms—official histories, school textbooks, museums, monuments, literature, films, and Victory Day parades—chapters illustrate how the heroic narrative of the war was established in Soviet times and how it continues to shape war memorialization under Putin. This war narrative resonates with the Russian population due to decades of Soviet commemoration, which continued virtually uninterrupted into the post-Soviet period. Major themes of the volume include the use of World War II memory for political legitimation and pat...
Public in Public History
Public in Public History presents international research on the role of the public in public history: the ways people perceive, respond to and influence history-related institutions, events, services and products that deal with the past. The book addresses theoretical reflections on the public, or multiple publics, and their role in public history, and empirical analyses of the publics’ active responses to and impact on existing forms of public history. Special attention is also paid to digital public history, which facilitates the double role of the public—as both recipient and creator of public history. With a multinational author team, the book is based on various national, but also i...
Histoires nationales et narrations minoritaires
The book examines the new international challenges facing history teaching through the prism of cultural diversity.
Youth and Memory in Europe
This volume contends that young individuals across Europe relate to their country’s history in complex and often ambivalent ways. It pays attention to how both formal education and broader culture communicate ideas about the past, and how young people respond to these ideas. The studies collected in this volume show that such ideas about the past are central to the formation of the group identities of nations, social movements, or religious groups. Young people express received historical narratives in new, potentially subversive, ways. As young people tend to be more mobile and ready to interrogate their own roots than later generations, they selectively privilege certain aspects of their identities and their identification with their family or nation while neglecting others. This collection aims to correct the popular misperception that young people are indifferent towards history and prove instead that historical narratives are constitutive to their individual identities and their sense of belonging to something broader than themselves.
The Mystery of Olga Chekhova
Olga Chekhova was a stunning Russian beauty and a famous Nazi-era film actress who Hitler counted among his friends; she was also the niece of Anton Chekhov. After fleeing Bolshevik Moscow for Berlin in 1920, she was recruited by her composer brother Lev, to work for Soviet intelligence. In return, her family were allowed to join her. The extraordinary story of how the whole family survived the Russian Revolution, the civil war, the rise of Hitler, the Stalinist Terror, and the Nazi invasion of the Soviet Union becomes, in Antony Beevor's hands, a breathtaking tale of compromise and survival in a merciless age.
Two Plays by Olga Mukhina
Olga Mukhina is one of the most talented, young playwrights in Russia. Born in Moscow in 1970, she has already garnered enviable praise from critics and audiences throughout Russia and Europe since her first play, Tanya-Tanya, was performed in 1996. Tanya-Tanya is an atmospheric, poetic tale that observes three couples at a suburban Moscow home who dance, drink champagne, kiss, fall in and out of love, and struggle with dignity and humor to keep some semblance of control over their lives. The parallels with Chekhovian drama are undeniable and clearly intended by the author. You, Mukhina's most recent work, is a love poem to her hometown of Moscow as well as a scathing attack on the apathy of people blindly wrapped up in their own happiness and sorrow.
