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The epidemic of mass rape in the former Yugoslavia has illustrated once again, and in particularly brutal fashion, the inextricable relationship between national politics, sexual politics, and body politics. The nexus of these three forces is highly charged in any culture, at any time in history, but especially so among cultures in which rapid, even cataclysmic, changes in material realities and national self-conceptions are eroding or overwhelming previously secure boundaries. The postcommunist moment in the so-called Second World--Central and Eastern Europe and the former Soviet Union--has dramatically exposed the opportunities and dangers that arise when the political, cultural, and econo...
The epidemic of mass rape in the former Yugoslavia has illustrated once again, and in particularly brutal fashion, the inextricable relationship between national politics, sexual politics, and body politics. The nexus of these three forces is highly charged in any culture, at any time in history, but especially so among cultures in which rapid, even cataclysmic, changes in material realities and national self-conceptions are eroding or overwhelming previously secure boundaries. The postcommunist moment in the so-called Second World--Central and Eastern Europe and the former Soviet Union--has dramatically exposed the opportunities and dangers that arise when the political, cultural, and econo...
In the absence of democratic state institutions, eastern European countries were considered to possess only myths of democracy. Working on the premise that democracy is not only an institutional arrangement but also a civilisational project, this book argues that mythical narratives help understanding the emergence of democracy without ‘democrats’. Examining different national traditions as well as pre-communist and communist narratives, myths are seen as politically fabricated ‘programmes of truth’ that form and sustain the political imagination. Appearing as cultural, literary, or historical resources, myths amount to ideology in narrative form, which actors use in political strugg...
This book covers the history of Polish cinema from 1989 up to the present in a broad political and cultural context, looking at both the film industry and film artistry. It considers the main ideas behind the institutional changes in the Polish film industry after the collapse of communism and assesses how these ideas were implemented. In discussing artistry, the focus is on the genres which dominated the Polish cinematic landscape after 1989 and the most important directors.
Images of the City takes the reader on a fascinating journey through urban landscapes across centuries, literary periods, media, genres and borders. 27 essays gathered from Poland, UK, Romania, Italy, Hungary, and Portugal by researchers representing different academic environments and fields of speciality offer a truly interdisciplinary perspective on the issue of understanding, representing, and interpreting the city. In this respect, the volume complements other anthologies which discuss urban space without limiting itself to one unique theoretical perspective. Its neat division into chronological and thematic sections makes for easy yet informative and inclusive reading, encouraging cross-referencing and challenging interests and tastes of a wide array of readers. Images of the City provides essential reading for cityphiles everywhere.
This volume offers a review of major flint mines dating from the Neolithic to the Bronze Age. The 18 articles were contributed by archaeologists from Belgium, France, Germany, Great Britain, Hungary, Italy, the Netherlands, Poland, Spain and Sweden, using the same framework to propose a uniform view of the mining phenomenon.
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Wywodzący się ze Śląska Jan Cofałka – czując potrzebę przybliżania rodakom regionu, z którego wyrasta (przyłapuję się tu na podwójnym znaczeniu tego słowa: wyrasta w rozumieniu pochodzenia rodzinnego, kulturowego, jak i wychodzenia skądś i wchodzenia w nowe rzeczywistości), dodaje do tomów o współziomkach kolejny – już szósty, tym razem o nieprzeciętnych kobietach. Zasług Jana Cofałki na tym polu nie sposób przecenić. Oceniając poprzednie tomy, podnosili je m.in. pisarz Wiesław Myśliwski, reżyser i pisarz Kazimierz Kutz oraz uczeni zarówno pokolenia średniego (prof. Jan Miodek, prof. Stanisław S. Nicieja), jak i najmłodszego (prof. Lech M. Nijakowski). ...