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Women and Medieval Literary Culture
Focusing on England but covering a wide range of European and global traditions and influences, this authoritative volume examines the central role of medieval women in the production and circulation of books and considers their representation in medieval literary texts, as authors, readers and subjects, assessing how these change over time. Engaging with Latin, French, German, Welsh and Gaelic literary culture, it places British writing in wider European contexts while also considering more distant influences such as Arabic. Essays span topics including book production and authorship; reception; linguistic, literary, and cultural contexts and influences; women's education and spheres of knowledge; women as writers, scribes and translators; women as patrons, readers and book owners; and women as subjects. Reflecting recent trends in scholarship, the volume spans the early Middle Ages through to the eve of the Reformation and emphasises the multilingual, multicultural and international contexts of women's literary culture.
Approaches to Teaching the Romance of the Rose
One of the most influential texts of its time, the Romance of the Rose offers readers a window into the world view of the late Middle Ages in Europe, including notions of moral philosophy and courtly love. Yet the Rose also explores topics that remain relevant to readers today, such as gender, desire, and the power of speech. Students, however, can find the work challenging because of its dual authorship by Guillaume de Lorris and Jean de Meun, its structure as an allegorical dream vision, and its encyclopedic length and scope. The essays in this volume offer strategies for teaching the poem with confidence and enjoyment. Part 1, "Materials," suggests helpful background resources. Part 2, "Approaches," presents contexts, critical approaches, and strategies for teaching the work and its classical and medieval sources, illustrations, and adaptations as well as the intellectual debates that surrounded it.
Prácticas performativas en el espacio monástico
Prácticas performativas centra su atención en la ritualidad desarrollada en el espacio monástico en diferentes momentos de los siglos medievales hasta los albores de la edad moderna, por parte de diferentes "actores" y en funcionalidades diversas, desde la gestualidad de obediencia debida por los capellanes beneficiados a la abadesa, a la que se expresa en la procesión de disciplina en las cofradías andaluzas durante la Semana Santa. El presente volumen ha permitido descubrir la potencialidad de este enfoque novedoso, el de la performatividad, que pone al descubierto nuevas agencias (agency) por parte de las mujeres, el valor simbólico del objeto y del gesto, la funcionalidad de los espacios; o nuevas miradas al rico catálogo de documentos de archivo y manuscritos de los fondos monásticos.
The Poetics of Digital Media
Media are poetic forces. They produce and reveal worlds, representing them to our senses and connecting them to our lives. While the poetic powers of media are perceptual, symbolic, social and technical, they are also profoundly moral and existential. They matter for how we reflect upon and act in a shared, everyday world of finite human existence. The Poetics of Digital Media explores the poetic work of media in digital culture. Developing an argument through close readings of overlooked or denigrated media objects – screenshots, tagging, selfies and more – the book reveals how media shape the taken-for-granted structures of our lives, and how they disclose our world through sudden moments of visibility and tangibility. Bringing us face to face with the conditions of our existence, it investigates how the ‘given’ world we inhabit is given through media. This book is important reading for students and scholars of media theory, philosophy of media, visual culture and media aesthetics.
POEMS ON THE GATE POST
In the first months of 2020, the world came to terms with a virus that threatened life and society. Extraordinary measures were taken, the like of which we had not seen before. Airlines ground to a halt as international travel was stopped. Most countries were forced to institute draconian steps that had all but essential workers confined to home in what became known as ‘lockdown’. For those who already carried the burden of health issues, extra care had to be taken to avoid coming into contact with anyone who might carry the virus. Those that could, worked from home. Many of those who could not work, were furloughed. The internet, and particularly video conferencing, took on a new dimens...
The Quiet Whispers Never Stop
AN IRISH EXAMINER BOOK OF THE YEAR SHORTLISTED FOR THE BUTLER LITERARY AWARD SHORTLISTED FOR THE KATE O'BRIEN AWARD 'Touching and darkly beautiful' Irish Sunday Independent 'Powerful, uncompromising' Irish Times 'Utterly absorbing, a novel that keeps you guessing right to the end' Kit de Waal 1982. Northern Ireland. Nuala Malin is tied to a life she doesn't want by her daughter Sam and baby son PJ. An affair with a seventeen-year-old boy reminds her of a future she hasn't given up on, but it can't last, and when her chance to leave comes, she takes it. 1994. If Sam Malin has a god then it is Kurt Cobain. Music is the only thing that brings her peace. She wants a life away from the North and its troubles, away from her da who can't talk about the past but seems stuck there, waiting for Sam's mother to return. A mother Sam barely knew. Escape seems out of reach until Sam meets a jagged, magnetic older man, drawn to him in a way she can't yet comprehend. She falls for him, unable to say no. Sam is more like her mother than she knows.
Hear the Dirt Sing
A fiery cross and a cadre of hooded thugs can’t scare the Robinson sisters away from their Louisiana land. The five unmarried sisters grapple in a man’s world where a woman’s place is inside the home, not behind a plow on a cotton farm. When Etta May Robinson stumbles over a dead body in their field, a man she knows and fears, the investigation leads to an unexpected reckoning. She has secrets – truths not spoken of in the genteel Southern society of the early 1900s. The sisters’ niece returns to the farm to interview them for a human-interest article, and she learns more about the women who raised her after her father’s tragic accident. Farm life is harsh for the women, and there are many reasons to sell the land and move away. But the more questions Penny asks, digging into the family history, the more reasons she finds to stay and hear the dirt sing.
Lloyd's Register of Shipping 1838
The Lloyd's Register of Shipping records the details of merchant vessels over 100 gross tonnes, which are self-propelled and sea-going, regardless of classification. Before the time, only those vessels classed by Lloyd's Register were listed. Vessels are listed alphabetically by their current name.
I Hated, Hated, Hated This Movie
I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert's most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders.Witness:Armageddon * (1998) - The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they're charging to get in, it's worth more to get out.The Beverly Hillbillies* (1993) - Imagine the dumbest half-hour sitcom you've ever seen, spin it out to ninety-three minutes by making it even more thin and shallow, and you have this mo...
