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Winter is savage and cold in Lapland. When a priceless local relic is stolen from Kautokeino, a village in the middle of the isolated snowy tundra, detectives Klemet Nango - a familiar face in the rural community - and Nina Nansen, fresh out of the local police academy, are called to investigate. There are just a few days until the locals will host a UN conference on indigenous peoples, and Klemet and Nina are under pressure to retrieve the artefact. When a local reindeer herder is found brutally murdered soon afterwards, Klemet and Nina immediately suspect that the two events are linked. But the villagers don't take too kindly to having their secret histories stirred up and the duo is forced to cross the icy landscapes alone in search of the answers that will lead them to a killer. Set in an alternately savage and dreamlike Lapland, this compelling, award-winning thriller tells the story of a native people fighting to keep their culture alive in a modern world of ruthless destruction.
A portrait of Iceland through the eyes of the international media before and after their total economic collapse. In the space of a few days, one of the world's richest and most egalitarian nations, Iceland, toppled into financial chaos and sunk into an economic, ethical, moral and identity crisis. The vast empire built by Iceland's young entrepreneurs, the "new Vikings"--who had propelled the country to the top of wealth, equality and happiness charts--collapsed under the combined effect of the failure of its banks and astronomical debt (more than ten times the country's gross domestic product). Iceland became, in the midst of the global economic crisis, an icon of disaster that troubles all Western countries seeking to understand how the Scandinavian model could collapse so suddenly. In this book, Daniel Chartier traces, through thousands of articles appearing in the foreign press, the fascinating reversal of Iceland's image during the crisis. Citizens of a country now humiliated, Icelanders must deal with a number of significant issues including the quest for wealth, sovereignty, ethics, responsibility, gender and the limits of neoliberalism. Published in English.
The Imagined Arctic in Speculative Fiction explores the ways in which the Arctic is imagined and what function it is made to serve in a selection of speculative fictions: non-mimetic works that start from the implied question "What if?" Spanning slightly more than two centuries of speculative fiction, from the starting point in Mary Shelley’s 1818 Frankenstein to contemporary works that engage with the vast ramifications of anthropogenic climate change, analyses demonstrate how Arctic discourses are supported or subverted and how new Arctics are added to the textual tradition. To illuminate wider lines of inquiry informing the way the world is envisioned, humanity’s place and function in...
This collection of essays expands our understanding and appreciation of the body of work by established female authors of Spanish crime fiction series by analyzing recent narratives that, in some cases, contribute in novel ways to the ongoing reformulation of the genre and, in others, provide readers with a temporary hiatus from it. The studies offer students and scholars of crime fiction new perspectives on the works of well-known authors, as well as analyses of their often less-known narratives that may not fit within the genre. Readers will engage in an exploration of gender dynamics and sexuality, a variety of psychological and social issues, and the consequences of the indiscriminate consumption of media and abuse of the environment and animals in narratives that exhibit the versatility of these outstanding authors. The volume will appeal to a wide audience of literary and cultural studies critics, as well as crime fiction enthusiasts and newcomers to this popular genre.
"A vivid, moving and sometimes funny account of the reality of life during Russia's invasion," Marc Bennetts, The Times "Uplifting and utterly defiant," Matt Nixson, Daily Express "No-one with the slightest interest in this war, or the nation on which it is being waged, should fail to read Andrey Kurkov," Dominic Lawson, Daily Mail "For centuries, attempts have been made to force Ukrainians to forget their native language, to stop singing Ukrainian songs and to abandon their history. For almost 400 years, Russia has been fighting against Ukrainian identity." Ten years on from the annexation of Crimea, two years on from Russia's all-out invasion of Ukraine, the Ukrainian people continue to fi...
A tale of love, loss, identity, and belonging, No Place to Call Home tells the story of a family who fled to the United Kingdom from their native Congo to escape the political violence under the dictator, Le Maréchal. The young son Jean starts at a new school and struggles to fit in. An unlikely friendship gets him into a string of sticky situations, eventually leading to a suspension. At home, his parents pressure him to focus on school and get his act together, to behave more like his star-student little sister. As the family tries to integrate in and navigate modern British society while holding on to their roots and culture, they meet Tonton, a womanizer who loves alcohol and parties. Much to Jean's father's dismay, after losing his job, Tonton moves in with them. He introduces the family—via his church where colorful characters congregate—to a familiar community of fellow country-people, making them feel slightly less alone. The family begins to settle, but their current situation unravels and a threat to their future appears, while the fear of uncertainty remains.
What are Islamic State is seeking to create a civil war in France; that Syrian President Bashar al-Assad used chemical weapons; that Vladimir Putin is trying to destabilise our democracies; that terrorism has struck France, not for what it does, but for what it is; that the genocide in Darfur has claimed 400,000 victims?... Literally none, but these assertions are enough to establish the foreign policy of Western countries. The author, a former agent of the Swiss strategic intelligence service, reviews the main contemporary conflicts that Western countries have managed with fake news over the last thirty years. Jacques Baud, a colonel, chemical and nuclear weapons expert, trained in counter-terrorism and counter-guerrilla warfare, designed the Geneva International Centre for Humanitarian Demining (GICHD) and its Information Management System for Mine Action (IMSMA). In the service of the United Nations, he served as Chief of Doctrine for Peacekeeping Operations in New York, and was engaged in Africa. In NATO, he led the fight against the proliferation of small arms. He is the author of several books on intelligence, asymmetric warfare and terrorism.
A grieving young woman learns something new about love from a dominatrix in this haunting and erotic debut. Echo is a failing actress who prefers to lose herself in the lives of others rather than examine her own. When her father disappears in a seaside misstep, she and her mother are left grief-stricken, unsure of how to piece back together their family that, it turns out, had never been whole. But then Orly -- a dominatrix -- moves in across the street. And through her, Echo begins to find the pieces that will allow her to carry on. Set among the bright colours and harshly glittering lights of Los Angeles, this is a love story about people addled with dreams and expectations who turn to the erotic for answers.
Focusing on contemporary crime narratives from different parts of the world, this collection of essays explores the mobility of crimes, criminals and investigators across social, cultural and national borders. The essays argue that such border crossings reflect on recent sociocultural transformations and geopolitical anxieties to create an image of networked and interconnected societies where crime is not easily contained. The book further analyses crime texts’ wider sociocultural and affective significance by examining the global mobility of the genre itself across cultures, languages and media. Underlining the global reach and mobility of the crime genre, the collection analyses types and representations of mobility in literary and visual crime narratives, inviting comparisons between texts, crimes and mobilities in a geographically diverse context. The collection ultimately understands mobility as an object of study and a critical lens through which transformations in our globalised world can be examined.