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Papers presented at the National Seminar on Indian English Literature Since 1950, held at Gwalior in February 2007.
Anita Desai, b. 1937, Indo-English novelist.
Based on the life of the middle class intellectuals of Calcutta, it is an unforgettable story of a Bohemian brother and his two sisters caught in the cross-currents of changing social values. In many ways the story reflects a vivid picture of India's social transition - a phase in which the older elements are not altogether dead, and the emergent ones not fully evolved.
Advances in Novel Phytopharmaceuticals covers the current aspects of the development of novel herbal formulations and summarizes their type of active components, biological activity, applications, and toxicity associated with novel herbal formulations. Such distinct types of novel herbal formulations are described to have remarkable advantages over conventional formulations of plant actives and extracts. The book also covers the various herbal phytoconstituents used for novel drug delivery applications. These novel herbal formulations can be used more uprightly and with enhanced efficacy by incorporating them into modern dosage forms. This can be accomplished by designing novel drug delivery...
India, long known for its huge population, religious conflicts and its status as not-quite best friend ally of the United States has moved from the backwaters of world attention to centre stage. Afghanistan and Pakistan with whom India is in almost conflict, are neighbours. India has developed a nuclear capability which also has a way of grabbing attention. This book discusses current issues and historical background and provides a thorough index important to a better understanding of this diverse country.
An English Version Of Girish Karnad`S Play Originally Written In Kannanada - Which Was Based On 2 Folk-Tales From Karnataka.
A thoughgoing critical study of the texts and performances of the plays by Girish Karnad. Exiting and jargon-free, it probes Karnad's handling of characters, situations, language, myths, history, and various other library tropes and stage props as itegral aspects of his manifestly inclusive dramaturgy. The thirty-two contrbutors to this definitive volume belong to the top shelf of drama/theatre critics from India and abroad.
Papers presented at the National Seminar on Indian English Literature Since 1950, held at Gwalior in February 2007.