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Cover -- Copyright page -- Contents -- List of Illustrations -- Acknowledgments -- Note to the Reader on Transliteration -- Abbreviations -- Introduction: The Beau Monde on the Borderlands -- 1 The Russian Imperial Southwest: Theatre in the Age of Modernism and Pogroms -- 2 The Literary Fair: Mikhail Bulgakov and Mykola Kulish -- 3 Comedy Soviet and Ukrainian? Il'f-Petrov and Ostap Vyshnia -- 4 The Official Artist: Solomon Mikhoels and Les' Kurbas -- 5 The Arts Official: Andrii Khvylia, Vsevolod Balyts'kyi, and the Kremlin -- 6 The Soviet Beau Monde: The Gulag and Kremlin Cabaret -- Notes -- Selected Bibliography -- Index
A brilliant satirist, Ostap Vyshnia (1889-1956) sent up the shortcomings of Soviet life and bureaucracy in the 1920s. He was famous in Ukraine almost exclusively for his feuilletons, and achieved enormous popularity in this genre in the 1920s, especially among the peasant population. Called by many the father of contemporary Ukrainian satire, he became the most-read author after Taras Shevchenko. Many village and town cooperatives, schools and farms were spontaneously named in his honour. Over two million copies of his books were sold by 1930. This second revised and expanded edition is introduced by Professor Maxim Tarnawsky (University of Toronto).
In the spring of 1944, Stalin deported the Crimean Tatars, a small Sunni Muslim nation, from their ancestral homeland on the Black Sea peninsula. The gravity of this event, which ultimately claimed the lives of tens of thousands of victims, was shrouded in secrecy after the Second World War. What broke the silence in Soviet Russia, Soviet Ukraine, and the Republic of Turkey were works of literature. These texts of poetry and prose – some passed hand-to-hand underground, others published to controversy – shocked the conscience of readers and sought to move them to action. Blood of Others presents these works as vivid evidence of literature’s power to lift our moral horizons. In bringing...
A pioneering history of medical care in Stalin’s Gulag—showing how doctors and nurses cared for inmates in appalling conditions A byword for injustice, suffering, and mass mortality, the Gulag exploited prisoners, compelling them to work harder for better rations in shocking conditions. From 1930 to 1953, eighteen million people passed through this penal-industrial empire. Many inmates, not reaching their quotas, succumbed to exhaustion, emaciation, and illness. It seems paradoxical that any medical care was available in the camps. But it was in fact ubiquitous. By 1939 the Gulag Sanitary Department employed 10,000 doctors, nurses and paramedics—about 40 percent of whom were prisoners. Dan Healey explores the lives of the medical staff who treated inmates in the Gulag. Doctors and nurses faced extremes of repression, supply shortages, and isolation. Yet they still created hospitals, re-fed prisoners, treated diseases, and “saved” a proportion of their patients. They taught apprentices and conducted research too. This groundbreaking account offers an unprecedented view of Stalin’s forced-labour camps as experienced by its medical staff.
Colloquial Ukrainian: The Complete Course for Beginners has been carefully developed by an experienced teacher to provide a step-by-step course to Ukrainian as it is written and spoken today. Combining a clear, practical and accessible style with a methodical and thorough treatment of the language, it equips learners with the essential skills needed to communicate confidently and effectively in Ukrainian in a broad range of situations. No prior knowledge of the language is required. Colloquial Ukrainian is exceptional; each unit presents a wealth of grammatical points that are reinforced with a wide range of exercises for regular practice. A full answer key can be found at the back as well a...
This book examines the political, social, and cultural history of the western Ukrainian city of Lviv and how this anti-Soviet city became symbolic of the Soviet Union's postwar evolution.
Some time in the 1970s, Konstantin Alpheyev, a well-known Russian musicologist, finds himself in trouble with the KGB, the Russian secret police, after the death of his girlfriend, for which one of their officers may have been responsible. He has to flee from the city and to go into hiding. He rents an old house located on the bank of a big Russian river, and lives there like a recluse observing nature and working on his new book about Wagner. The house, a part of an old barge, undergoes strange metamorphoses rebuilding itself as a medieval schooner, and Alpheyev begins to identify himself with the Flying Dutchman. Meanwhile, the police locate his new whereabouts and put him under surveillance. A chain of strange events in the nearby village makes the police officer contact the KGB, and the latter figure out who the new tenant of the old house actually is.
Women’s prose writing has exploded on the literary scene in Ukraine just prior to and following Ukrainian independence in 1991. Over the past two decades scores of fascinating new women authors have emerged. These authors write in a wide variety of styles and genres including short stories, novels, essays, and new journalism. In the collection you will find: realism, magical realism, surrealism, the fantastic, deeply intellectual writing, newly discovered feminist perspectives, philosophical prose, psychological mysteries, confessional prose, and much more.
‘“Brother, you have another pair of boots,” Jaroslav Hašek said to me, grabbing me by the sleeve. “How do you know?” “Yesterday you were in army boots, and today you’ve got civilian ones on. I’d buy those army boots off you.” And in this way my high-laced boots, which I was given by the Austrian Red Cross way back in Beryozovka-za-Baikalom, came into Hašek’s possession. It was a silly thing to do. Not because I should have known that I wouldn’t get a kopeck out of Hašek in exchange for them — at bottom, I did know that — but as a former soldier, I should have thought about reserves. Life is a war and in this war, sometimes boots become casualties.’ Thus ruefull...