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Ousmane Sembene and the Politics of Culture
Undoubtedly one of Africa’s most influential first generation of writers and filmmakers, Ousmane Sembene's creative works of fiction as well as his films have been the subject of a considerable number of scholarly articles. The schemas of reading applied to Sembene's oeuvre (novels, short stories and films) have, in the main, focused either on his militant posture against colonialism, his disenchantment with African leadership, or his infatuation with documenting the past in an attempt to present a balanced and nuanced view of African history. While these studies, unquestionably contribute to a better understanding of his works, they collectively ignore Sembene’s relentless preoccupation...
Ousmane Sembène
Collected interviews with the African filmmaker who directed Black Girl, Mandabi, Xala, Ceddo, Faat Kine, and Moolaade
The Cinema of Ousmane Sembene, A Pioneer of African Film
The films of Ousmane Sembene are powerful representations of the newly emerging black African cinema. In this interpretive study of his most significant films, Francoise Pfaff examines Sembene's pioneering efforts over the last two decades. While focusing primarily on the realistic and symbolic levels of his works, the stylistic and technical aspects are also examined. Pfaff discusses the aesthetic, sociopolitical, and metaphysical values of Sembene's oeuvre within its African context. His depiction of the tension between traditional and modern African life is explored. Pfaff includes film stills and excerpts from interviews with Sembene and other African filmmakers. She concludes with comments about Sembene's contributions to our intercultural heritage.
Ousmane Sembene
Accross four sections - Interviews, Novels, Films and Tributes - the work of Ousmene Sembene is contextualised in both the worlds of post colonial literature and African film.
God's Bits of Wood
"God's Bits of Wood is a fictionalized account of the Dakar-Niger train strikes which took in the 1940s. The novel looks at both the political and personal sacrifices the strikers and their families made. The political power is portrayed here as the strikers try to win back pensions, annual paid vacations, and family allowances from the Europeans. The novel can be seen as a shift of power between the African strikers and their European bosses. The Europeans have the political process and violence as a leverage of power, which they use both insistently and mindlessly. One of the European delegates for the railway company accidentally shoots young boys who are playing along the tracks. The del...
The Films of Ousmane Sembène
Ousmane Sembene was a Senegalese film director, producer, and writer whom the Los Angeles Times considered one of the greatest authors of Africa. Often called the "father of African film," Sembene strongly believed that African films should be geared primarily toward educating the masses and making the philosophical quandaries and political issues contested by elites accessible to the poor and those with little to no formal education.Although Sembene's central aim was to reach African audiences and encourage a dialogue within Senegalese society, his films are also extraordinarily effective in introducing non-African audiences to many of the most intriguing cultural issues and social changes ...
Sembene
Sembene is one of the major figures of African literature, and also one of Africa's foremost film directors. This is the first study to give an overview of his work in fiction and on screen. This book examines Sembene Ousmane's radical reinterpretation of African history and culture, focusing on representations of the African city, animism, the role of women, colonialism and neo-colonialism. The author argues that Sembene 'imagines alternatives' to the dominant narratives of both Africa in general, and Senegal in particular. North America: Africa World Press
Xala
"Ousmane's satirical fable tells of the downfall of El Hadji, a member of the African elite who have taken the place of white businessmen in Francophone Africa. The protagonist is stricken with xala--impotence--in a racous bedrroom scene with his new young wife. The novel subtly traces the interplay among his three wives as El Hadji desperately tries to over come the affliction. In his obsession he resorts to primitive incantation, and his unscrupulous business associates cynically reject their former friend."--Cover
A Call to Action
Sengalese director Ousmane Sembene has often been referred to as a pioneer of the sub-Saharan cinema. The political and aesthetic projects have deeply influenced the evolution of African filmmaking. This book explores Sembene's notion of a new Africa by examining the central issues of change, cultural alienation and economic dependence that infuse the director's cinematic and literary works. It also discusses his use of oral tradition and narration, the depiction of women's roles, the concept of nation, and how Sembene's novels and stories relate to his film work. -- Publisher description
Niiwam ; And, Taaw
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