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The Oxford Handbook of Publishing marks the coming of age of the scholarship in publishing studies with a comprehensive exploration of current research on subjects such as copyright, corporate social responsibility, globalizing markets, and changing technology that have transformed the industry in recent years.
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The Oxford Handbook of Mystical Theology provides a guide to the mystical element of Christianity as a theological phenomenon. It differs not only from psychological and anthropological studies of mysticism, but from other theological studies, such as more practical or pastorally-oriented works that examine the patterns of spiritual progress and offer counsel for deeper understanding and spiritual development. It also differs from more explicitly historical studies tracing the theological and philosophical contexts and ideas of various key figures and schools, as well as from literary studies of the linguistic tropes and expressive forms in mystical texts. None of these perspectives is absen...
The essay is one of the richest of literary forms. Its most obvious characteristics are freedom, informality, and the personal touch--though it can also find room for poetry, satire, fantasy, and sustained argument. All these qualities, and many others, are on display in The Oxford Book of Essays. The most wide-ranging collection of its kind to appear for many years, it includes 140 essays by 120 writers: classics, curiosities, meditations, diversions, old favorites, recent examples that deserve to be better known. A particularly welcome feature is the amount of space allotted to American essayists, from Benjamin Franklin to John Updike and beyond. This is an anthology that opens with wise words about the nature of truth, and closes with a consideration of the novels of Judith Krantz. Some of the other topics discussed in its pages are anger, pleasure, Gandhi, Beau Brummell, wasps, party-going, gangsters, plumbers, Beethoven, potato crisps, the importance of being the right size, and the demolition of Westminster Abbey. It contains some of the most eloquent writing in English, and some of the most entertaining.
The story of Oxford University Press spans five centuries of printing and publishing. This first volume traces the beginnings of the University Press, its relationship with the University, and developments in printing and the book trade, as well as the growing influence of the Press on the city of Oxford.
Journalist and television producer Will Wyatt's account of growing up in Oxford in the 1940s and 1950s is a delightful, absorbing read.... He writes with fondness and humour, recalling the simple pleasures of England in the period.' -The Lady, 'Book of the Week' 'A very enjoyable read. Joyful and often very funny, the story moves along at a constantly entertaining pace. It's a great celebration of growing up.' -Michael Palin 'This is a remarkable memoir. Oxford Boy offers us a complete picture of a family's way of life. Aunts and uncles crowd its pages: tales of bricklaying, betting, school friendships and corner shops... all recalled fondly and evocatively. This is not academic Oxford, but ...
In 14 original essays, this book reveals the history of books in all their various forms, from the ancient world to the digital present
Excerpt from The Early Oxford Press: A Bibliography of Printing and Publishing at Oxford, 1468-1640; With Notes, Appendixes and Illustrations References. The usual style of reference throughout the book (including index) is to the year followed by the initial letter of the particular heading; as 1634 C, when the reference is to no. 9 on p. 177 (cosin). A few references will be found in the earlier pages to years beyond 1640, made before it was decided to close the work at that year. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.