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Votive Reliefs
This volume includes all of the Classical, Hellenistic, and Roman votive reliefs found to date in the excavations of the Athenian Agora. In addition to providing a catalogue of the reliefs arranged according to their subjects, the author treats the history of their discovery, their production and workmanship, iconography, and function. A large part of the study is devoted to discussion of the original contexts of the reliefs in an attempt to determine their relationship to shrines in the vicinity and to investigate what they can tell us about the character of religious activity in the vicinity of the Agora. The work will be an important reference for historians of Greek art as well as of Greek religion.
Attic Document Reliefs
A unique, fully illustrated, and fascinating study of all the known carved reliefs decorating official inscriptions in classical and Hellenistic Athens. The author's new and illuminating work on the iconography of these reliefs shows how the gods, heroes, and other personifications were not simply decorative, but integral to the overall political message.
Marbleworkers in the Athenian Agora
The 5th-century B.C. poet Pindar remarked on the rich sculptural decoration of the Athenian Agora, and, indeed, over 3,500 pieces of various types of sculpture have been uncovered during its excavation. This full-color guide sheds new light on the marble industry in and around the Agora, including rich evidence for sculptors' workshops, their tools, and techniques. The text discusses the works of both famous and anonymous artists.
Bearers of Meaning
None
Art in Athens During the Peloponnesian War
This book examines the effects of the Peloponnesian War on the arts of Athens and the historical and artistic contexts in which this art was produced. During this period, battle scenes dominated much of the monumental art, while large numbers of memorials to the war dead were erected. The temple of Athena Nike, built to celebrate Athenian victories in the first part of the war, carries a rich sculptural program illustrating military victories. For the first time, the arts in Athens expressed an interest in the afterlife, with many sculptured dedications to Demeter and Kore, who promised initiates special privileges in the underworld. Not surprisingly, there were also dedications to healer gods. After the Sicilian disaster, a retrospective tendency can be noted in both art and politics, which provided reassurance in a time of crisis. Bringing together essays by an international team of art historians and historians, this is the first book to focus on the new themes and new kinds of art introduced in Athens as a result of the thirty-year war.
Autopsy in Athens
This is an exciting time to study in Athens. The “rescue” excavations of recent years, conducted during construction of the Metro system and in preparation for the 2004 Olympics Games, combined with major restoration projects and a new enthusiasm for fresh examination of old material, using new techniques and applications, brings new perspectives and answers on many aspects of the ancient city of Athens and life, politics and religion in Attica. The 15 papers presented here contribute new findings that result from intensive, firsthand examinations of the archaeological and epigraphical evidence. They illustrate how much may be gained by reexamining material from older excavations, and fr...
Aspects of Ancient Greek Cult
The papers in this volume illustrate the interplay between the studies of classical archaeology, religion, history, and musicology. The eight papers by the young scholars and their Nestor, Richard Hamilton, offer a fresh look at various aspects of ancient cult, including the use of the word cult in the academic disciplines of Archaeology and the History of Religion; the introduction of Asklepios to Athens, and a detailed study of the same god's sanctuary on the south slope of Akropolis, where it will be demonstrated that the layout of the early sanctuary on the east terrace was carefully designed after one central monument. The book also contains an innovative study of the Philippeion at Olympia, where it is argued that the tholos with its sculpture was a proto-type for the use of divine images and royal ideology by Hellenistic rulers. Other papers include a statistical approach to the illustration of baskets on Classical votive reliefs, a theoretical study of the role of music in ancient Greek cult, and analysis of the use of the chorus as one of the most important expressions of ancient cult in Sparta.
