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Henry Judd
Memoirs of Rev. Henry P. Judd, (1880--1955), born in the Kingdom of Hawaii, grandson of Dr. Gerrit Parmele Judd, missionary to Hawaii in 1828.
A record of the descendants of Dr. Gerrit P. Judd of Hawaii
Accepted by the Genealogical Committee of the Hawaiian Historical Society
Donald Judd
Artists, architects, art historians, critics, and curators explore the work of Donald Judd as both artist and critic in essays spanning all of Judd's career. Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art--in both his works and writings--that challenged many of modernism's core tenets by resisting the categories of painting and sculpture. Judd described this work as "specific objects." Critics labeled it minimalism. Perhaps because Judd's own critical writings provide a discursive framework for his work, some of the monographic essays on his work are not widely known. This volume collects critical and scholarly writings on Judd, examining his work as both artist and critic.
Anatomia, 1838 (Hawaiian text with English translation)
Anatomia is the only medical textbook written in the Hawaiian language. Gerrit P. Judd, for a time the only medical missionary in the Islands, wrote the text in 1838 to teach basic anatomy to Hawaiians enrolled at the Mission Seminary (Lahainaluna School). Working from a standard elementary textbook of the time, Judd provided his students with more than a simple, straight translation. Rather than "Hawaiianize" Latin or English names and terms, he devised new vocabulary and explained medical functions and practices in words that would be readily understood by a Hawaiian. Judd's use of Hawaiian terms and descriptions gives us insights into native cultural and healing practices in the early decades of the nineteenth century. Anatomia is a valuable addition to the growing collection of translations on native health and will be greatly appreciated by linguists, historians, and students of Hawaiian language and culture.
American Images of China, 1931-1949
In the 1930's and 1940's, the prevalent American view of China was that of a friendly, democratic, and increasingly Christian state, in many ways akin to the United States. This view was fostered by a wide range of literary, political, and business leaders, including Pearl S. Buck, Franklin D. Roosevelt, Wendell Willkie, Joseph Stillwell, Claire Chennault, and most notably, the powerful publisher of Life and Time, Henry R. Luce. This book shows how the notion of the Chinese as aspiring Americans helped shape American opinions and policies toward Asia for almost twenty years. This notion derived less from the reality of Chinese historical or cultural similarities than from a projection of American values and culture; in the American view, fueled by various political, economic, and religious interests, China was less a geographical entity than a symbol of American hopes and fears. One of the more important consequences was the idealization of China and the demonization of Japan.
