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Ancient Greek Painting and Its Echoes in Later Art
In his introduction, Stelios Lydakis notes, "It would be impossible for an art historian to study the works of antiquity without extensive reference to their influence on the art of the centuries that followed." Lydakis provides a complete history of ancient Greek painting from the earliest examples in Crete, Thera, and Mycenae to those of the classical and Roman epochs. Through a multitude of examples, he shows how these ancient works shaped modern ones. The literary references he considers include the works of Lucian, Philostratos, Pausanias, and Pliny the Elder. The works of art reproduced include wall paintings from the Palace of Knossos, Thera, Pompeii, Herculaneum, and Oplontis; vases from the Mycenaean through the Classical periods; reliefs from the Parthenon; and mosaics from Pompeii and Delos. The book also features paintings made in later centuries by such artists as Mantegna, Titian, Dürer, Raphael, Rembrandt, and Rubens that were inspired by antique models.
Greek Painting
One hundred reproductions in full color.
The Art of Painting in Ancient Greece
"This new and richly illustrated overview of Greek painting combines a fresh scholarly approach to visual arts with the most complete survey to date of the painted monuments of classical antiquity. The Art of Painting in Ancient Greece covers a wide chronological and geographical span, from the Bronze Age murals of Knossos, Santorini and Mycenae to the opulent villas of the Roman Empire, from Anatolia and Egypt in the East to Campania and Etruria in the West. Surveying the techniques, materials, and works produced, as well as ancient literary accounts, the book engages the five main lines of inquiry: Why did the Greeks cover the walls of their sanctuaries, agoras, palaces, homes, and even their tombs with painted images? What topics, real or imaginary, did they choose to depict? How were those images created? What were the techniques employed and the materials used? Who painted those images? And how does the spectacular phenomenon of Greek monumental painting compare with other branches of Greek art, from mosaics and vase painting to sculpture?"--
Greek Vase Painting
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Looking at Greek Art
Looking at Greek Art, by Mark D. Stansbury-O'Donnell, offers a practical guide to the methods for approaching, analyzing, and contextualizing an unfamiliar piece of Greek art. It demonstrates how objects are dated and assigned to an artist or region; how to interpret the subject matter and narrative; how to reconstruct the context for which an object was made, distributed, and used; and how we can explore broader cultural perspectives by looking at questions of identity, gender, and relationships to surrounding cultures. Each section focuses on different theoretical approaches, providing an overview of the theories, key terms, and required evidence. Case studies serve to demonstrate each process and some key issues to consider when using a given approach. This book explores a variety of media, including terracotta, metalwork, and jewelry, in addition to works found in major museum collections in the United States and Europe.
Greek Painting Techniques and Materials from the Fourth to the First Century BC
This book provides the first comprehensive overview of the techniques and materials used in a range of monumental paintings from the Late Classical to the Graeco-Roman period reflecting the Hellenistic culture. Based primarily on the technical examination and analyses of wall paintings, painted architectural elements and marble monuments, the scientific study of materials provides information on the chemical composition of the plasters, the nature of pigments and their microstructure and identifies patterns of trade and methods of manufacture (if synthesised). The results suggest a highly developed and cosmopolitan culture, encompassing the entire Mediterranean region and beyond, from the mountains of Macedonia to the deserts of Ptolemaic Egypt and the Eurasian Plateau, throughout which ideas and goods flowed freely.
An Introduction to Greek Art
The four centuries between the composition of the Homeric epics and the conquests of Alexander the Great witnessed an immensely creative period in Greek art, one full of experimentation and innovation. But time has taken its toll; damaged statues have lost their colour and wall paintings have been totally destroyed. And yet sympathetic study of surviving sculpture and of drawing on vases can give extraordinary insight into and appreciation of these once brilliant works This book, designed originally for students, introduces the reader to Greek sculpture and vase painting in the critical period from the eighth to the fourth centuries BC. The works discussed are generously illustrated and luci...
