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Orwell's Faded Lion
Orwell's Faded Lion traces the history of Britain from the end of the Second World War, during the darkest days of which George Orwell wrote The Lion and the Unicorn, calling for a British revolution, to the present. The book confronts the actual direction taken by British society against the background of the high hopes of the generation that survived the war. The book also considers Britain alongside its European neighbours, drawing upon personal experiences of living and travelling widely in Europe, as well as experience of left-wing party politics and of the Northern Ireland situation in the 1980s.
The Day of the Women
"A female elite has taken over England. Led by their 'mother', the sleek Diana Druce, they perform an economic miracle - and put the jackboot through the idea that women are the weaker sex."--Back cover
A State of Play
A State of Play explores how the British have imagined their politics, from the parliament worship of Anthony Trollope to the cynicism of The Thick of It. In an account that mixes historical with political analysis, Steven Fielding argues that fictional depictions of politics have played an important but insidious part in shaping how the British think about their democracy and have helped ventilate their many frustrations with Westminster. He shows that dramas and fictions have also performed a significant role in the battle of ideas, in a way undreamt of by those who draft party manifestos. The book examines the work of overtly political writers have treated the subject, discussing the novels of H.G. Wells, the comedy series Yes, Minister and the plays of David Hare. However, it also assesses how less obvious sources, such as the films of George Formby, the novels of Agatha Christie, the Just William stories and situation comedies like Steptoe and Son, have reflected on representative democracy. A State of Play is an invaluable, distinctive and engaging guide to a new way of thinking about Britain's political past and present.
Heterophobia
Once confident in the potential of feminism to create a more equitable and just society, Daphne Patai persuasively demonstrates in Heterophobia how the efforts of some feminists - members of what she calls the "sexual harassment industry" - have created an environment that stifles healthy and natural interactions between the sexes. The tremendous growth of sexual harassment legislation represents feminism's greatest contemporary success, but this victory has dubious consequences - a world where kindergarten boys face legal action for kissing female classmates and men are sued by coworkers for offenses such as unwanted hugs, uninvited compliments, or glances that last too long.
The Edge of Christendom on the Early Modern Stage
Throughout the sixteenth and seventeenth centuries, the edges of Europe were under pressure from the Ottoman Turks. This book explores how Shakespeare and his contemporaries represented places where Christians came up against Turks, including Malta, Tunis, Hungary, and Armenia. Some forms of Christianity itself might seem alien, so the book also considers the interface between traditional Catholicism, new forms of Protestantism, and Greek and Russian orthodoxy. But it also finds that the concept of Christendom was under threat in other places, some much nearer to home. Edges of Christendom could be found in areas that were or had been pagan, such as Rome itself and the Danelaw, which once covered northern England; they could even be found in English homes and gardens, where imported foreign flowers and exotic new ingredients challenged the concept of what was native and natural.
Lady Chatterley
First published in 1988, Lady Chatterley explores the events and experiences which surrounded D. H. Lawrence’s writing of his infamous last novel, Lady Chatterley’s Lover. The account begins with Lawrence’s return to Europe in September 1925 and ends with the publication in June 1928 of the final draft of a novel which exists in three related yet dissimilar versions. Derek Britton adds a great deal of new material to the established facts and theories concerning Lawrence’s life and work during this period. In the chapters covering Lawrence’s return to the Midlands in September 1926 when the collapse of the national miners’ strike in that area was imminent, a detailed reconstruction of Lawrence’s journeys and experiences reveals the extent to which the themes of the novel, the social and physical aspects of the landscape and Lawrence’s initial impulse to write depended crucially on the author’s last visit to his native region. This book will appeal both to those with special interests in Lawrence and the modern novel, and to the general reader.
Dark Horizons
First published in 2003. With essays by an international and interdisciplinary group of scholars, Dark Horizons focuses on the development of critical dystopia in science fiction at the end of the twentieth century. In these narratives of places more terrible than even the reality produced by the neo-conservative backlash of the 1980s and the neoliberal hegemony of the 1990s, utopian horizons stubbornly anticipate a different and more just world. The top-notch team of contributors explores this development in a variety of ways: by looking at questions of form, politics, the politics of form, and the form of politics. In a broader context, the essays connect their textual and theoretical analyses with historical developments such as September 11th, the rise and downturn of the global economy, and the growth of anti-capitalist movements.
Cold War Stories
This book is the first comprehensive study of mainstream British dystopian fiction and the Cold War. Drawing on over 200 novels and collections of short stories, the monograph explores the ways in which dystopian texts charted the lived experiences of the period, offering an extended analysis of authors’ concerns about the geopolitical present and anxieties about the national future. Amongst the topics addressed are the processes of Cold War (autocracy, militarism, propaganda, intelligence, nuclear technologies), the decline of Britain’s standing in global politics and the reduced status of intellectual culture in Cold War Britain. Although the focus is on dystopianism in the work of mainstream authors, including George Orwell, Doris Lessing, J.G. Ballard, Angela Carter and Anthony Burgess, a number of science-fiction novels are also discussed, making the book relevant to a wide range of researchers and students of twentieth-century British literature.
