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Examines the conditions under which a particular right-wing ideology was generated
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.
Significant recent research on the German Right between 1918 and 1933 calls into question received narratives of Weimar political history. The German Right in the Weimar Republic examines the role that the German Right played in the destabilization and overthrow of the Weimar Republic, with particular emphasis on the political and organizational history of Rightist groups as well as on the many permutations of right-wing ideology during the period. In particular, antisemitism and the so-called “Jewish Question” played a prominent role in the self-definition and politics of the right-wing groups and ideologies explored by the contributors to this volume.
In this book, Petra Schönemann-Behrens provides an informative review of the life and times of Alfred Fried, a significant German pacifist of the late nineteenth century and the early twentieth century.
Art Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art (Mir Iskusstva, 1899-1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909-1917). By exploring the role of art reproduction in the nineteenth century and the emergence of these innovative art journals in the turn of the century, Hanna Chuchvaha proves that these Modernist periodicals advanced the Russian graphic arts and reinforced the development of reproduction technologies and the art of printing. Offering a detailed examination of the “inaugural” issues, which included editorial positions expressed in words and images, Hanna Chuchvaha analyses the periodicals’ ideologies and explores journals as art objects appearing in their unique socio-historical context in imperial Russia.
A union list of serials commencing publication after Dec. 31, 1949.
"A richly contextualized portrait of a key Weimar figure, who deserves to be better known. Easton is a lively writer."—Martin Jay, University of California, Berkeley "Provocative and original. The Red Count should be welcomed by a growing number of cultural historians interested in reassessing the politics of European modernism and in current debates about the trajectory of German political culture and cultural politics in the decades before the rise of fascism."—Kevin Repp, Yale University "A major addition to understanding the cultural contributions Germany made to the modernist impulse, especially in the years before 1914. Kessler’s numerous activities, as delineated by the author, attest to the cosmopolitanism of many within Germany’s urban, liberal elite. The Red Count is extremely well-written. Easton’s prose is fluid, colorful, and eminently readable. " —Marion Deshmukh, George Mason University