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The Court Cities of Northern Italy
The Court Cities of Northern Italy examines painting, sculpture, decorative arts, and architecture produced within the fourteenth, fifteenth, and sixteenth centuries.
Music in the Collective Experience in Sixteenth-Century Milan
Renaissance music, like its sister arts, was most often experienced collectively. While it was possible to read Renaissance polyphony silently from a music manuscript or print, improvise alone, or perform as a soloist, the very practical nature of Renaissance music defied individualism. The reading and improvisation of polyphony was most frequently achieved through close co-operation, and this mutual endeavour extended beyond the musicians to include the society to which it is addressed. In sixteenth-century Milan, music, an art traditionally associated with the court and cathedral, came to be appropriated by the old nobility and the new aristocracy alike as a means of demonstrating social p...
Spanish Milan
This book provides a broad overview of the main features of Spanish Milan and their transformations during the 16th and 17th centuries. At the same time, it addresses an important and long-lasting historiographical debate that traditionally interpreted the Spanish period as one of decline for Italian cities in general and Milan in particular.
Barbara Longhi of Ravenna
This book provides new impetus to the study of female art in regional areas. It will expand research beyond studies of women’s lives, careers, socio-political patronage, and specific gender issues to look at emblematic, historical, and spiritual aspects of their work. Through an analysis of the paintings of Barbara Longhi, the book reveals the importance of devotional art and the ample creativity of female painters. It highlights the importance of Longhi’s artistic contribution in the study of iconography and iconology on art and devotion in some of her paintings. Although there is limited information about her personal life, through the records of her two Wills and Testaments, we learn about her administrative ability, family dedication, and, most of all, about her Christian religiosity and devotion to the Virgin Mary (La Madonna).
A Convent Tale
Power often operates in strange and surprising ways. With A Convent Tale, Renee Baernstein uncovers some of the nuanced methods cloistered women devised to exert their agency. In the tradition of Simon Schama and Steven Ozment, Baernstein uses the compelling story of a single clan, the Sfondrati, to refashion our understanding of the early modern period. Showing the nuns as neither helpless victims nor valiant rebels, but reasonable beings maneuvering as best they could within limits set by class, gender and culture. Baernstein writes against the tendency to depict women as inactive pawns, and shows that even within the convent walls, nuns were empowered by ties with their (often earthly) families and actively involved in the politics of the period. Both a major contribution to scholarship on gender, family and religion in early modern Europe, and a colorful well-told tale of Renaissance intrigue, A Convent Tale is sure to attract a wide range of academic and general readers.
Italy 1530-1630
This book covers one of the more obscure periods of Italian history. What we know of it is presented almost always pejoratively: an unrelieved tale of political absolution, rural refeudalisation, economic crisis, religious repression and cultural decline. But this picture is both incomplete and inaccurate, and in this important new survey Eric Cochrane has at last given the period its due.
Hafsids and Habsburgs in the Early Modern Mediterranean
This book explores an anonymous sixteenth-century portrait of Muley al-Hassan, the Hafsid king of Tunis (ca. 1528–1550), that bears witness to relations between North Africa, the Habsburgs, and the Ottomans. While Muley al-Hassan appears frequently in the vast literature on Charles V Habsburg, he is overshadowed by the emperor. Here he emerges as a protagonist, a figure whose shifting reputation can be traced well into the seventeenth century. Images of the King of Tunis circulated in broadsheets, ephemeral images made for triumphal entries, manuscripts, tapestry designs, engravings, and books. The ceaseless production of Tunisian imagery allowed Europeans to face their North African counterparts through scenes of battle but also through imaginary encounters and festive cross-dressing. This book shows how portraits of Hafsid rulers challenge assumptions about the absolute divide between Christian and Muslim, sovereign and subject, the familiar and the foreign, and they put a face on the entangled histories of the early modern Mediterranean.
Saint Cecilia in the Renaissance
"How did an unmusical saint come to be portrayed as a musician and become the patron saint of musicians and music? Until the beginning of the fifteenth century, Saint Cecilia was perceived as one of many virgin martyrs, with no obvious musical skills or interests. During the next two centuries, however, she inspired many musical works written in her honor and a vast number of paintings that depicted her singing or playing an instrument. Why did so many composers start writing music that honored her as their patron saint? In this book, John A. Rice argues that Cecilia's association with music came about in several stages, involving Christian liturgy, visual arts, and music, and fostered by in...
Creative Women in Medieval and Early Modern Italy
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
