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In recent years, archaeologists and Native American communities have struggled to find common ground even though more than a century ago a man of Seneca descent raised on New YorkÕs Cattaraugus Reservation, Arthur C. Parker, joined the ranks of professional archaeology. Until now, ParkerÕs life and legacy as the first Native American archaeologist have been neither closely studied nor widely recognized. At a time when heated debates about the control of Native American heritage have come to dominate archaeology, ParkerÕs experiences form a singular lens to view the fieldÕs tangled history and current predicaments with Indigenous peoples. In Inheriting the Past, Chip Colwell-Chanthaphonh ...
Saving Paradise examines the effects of the crucifixion becoming Christianity’s defining image when, for the first ten Christian centuries it was never depicted. It explores what this shift in focus has done to our understanding and practice of faith, and raises deeply significant questions for the church today. Beginning with a masterly survey of Christian imagery in early art, church architecture and spiritual writing, Saving Paradise reveals a rich visual world filled with images of Christ as shepherd, guide and healer, and of the earth as paradise once again. When the crucified Jesus appears, the history of Christianity in the world takes a dramatically different turn and violence and sacrifice in God’s name is sanctioned. This profoundly challenging book examines the consequences of this for us today and asks how we can rediscover our lost spiritual heritage.
"A Lover's Complaint" is a narrative poem published as an appendix to the original edition of Shakespeare's sonnets. It is given the title "A Lover's Complaint" in the book, which was published by Thomas Thorpe in 1609. Although published as Shakespeare's work, the poem's authorship has become a matter of critical debate. The majority opinion is that it is by Shakespeare, though of inferior quality to his other works. The Passionate Pilgrim (1599) is an anthology of 20 poems collected and published by William Jaggard that were attributed to "W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean. These are two sonnets, later to be published in the 1609 collection of Shakespeare's sonnets, and three poems extracted from the play Love's Labour's Lost. Internal and external evidence contradicts the title-page attribution to Shakespeare. Five were attributed to other poets during his lifetime, two were published in other collections anonymously, and critics agree that the remaining eight cannot be attributed to Shakespeare on stylistic grounds. Jaggard later published an augmented edition with poems he knew to be by Thomas Heywood.
Defining "romance" as a form that simultaneously seeks and postpones a particular end, revelation, or object, Patricia Parker interprets its implications and transformations in the works of four major poets—Ariosto, Spenser, Milton, and Keats. In placing the texts within their literary and historical contexts, Professor Parker provides at once a literary history of romance as genre, a fresh reading of individual poems, and an exploration of the continuing romance of figurative language itself. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This selection of Hoffmann's finest short stories vividly demonstrates his intense imagination and preoccupation with the supernatural, placing him at the forefront of both surrealism and the modern horror genre. Suspense dominates tales such as Mademoiselle de Scudery, in which an apprentice goldsmith and a female novelist find themselves caught up in a series of jewel thefts and murders. In the sinister Sandman, a young man's sanity is tormented by fears about a mysterious chemist, while in The Choosing of a Bride a greedy father preys on the weaknesses of his daughter's suitors. Master of the bizarre, Hoffman creates a sinister and unsettling world combining love and madness, black humour and bewildering illusion.
Two-time British Fantasy Award Winner Astounding Award Winner Lambda Literary Award Finalist Hugo Award Finalist Locus Award Finalist A Dragon Award Finalist Otherwise Award Finalist "Magnificent in every way."—Samantha Shannon, author of The Priory of the Orange Tree "A dazzling new world of fate, war, love and betrayal."—Zen Cho, author of Black Water Sister She Who Became the Sun reimagines the rise to power of the Ming Dynasty’s founding emperor. To possess the Mandate of Heaven, the female monk Zhu will do anything “I refuse to be nothing...” In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness... In 1345...
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A history of movement, transportation, and speed involving animals, men, and machines.
"Libretto-bashing has a distinguished tradition in the blood sport of opera," writes Arthur Groos in the introduction to this broad survey of critical approaches to that much-maligned genre. To examine, and to challenge, the long-standing prejudice against libretti and the scholarly tradition that has, until recently, reiterated it, Groos and Roger Parker have commissioned thirteen stimulating essays by musicologists, literary critics, and historians. Taken as a whole, the volume demonstrates that libretti are now very much within the purview of contemporary humanistic scholarship. Libretti pose questions of intertextuality, transposition of genre, and reception history. They invite a broad ...
In this book, you will learn how Africa is greatly endowed and blessed, her contributions to world civilization, experiences with colonialism and neo-colonialism, her need to excel, produce or perish, the lessons from history and Never Again.