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Contextualized Stylistics
The articles in Contextualized Stylistics, written especially to honour the work of Peter Verdonk, one of the leading figures in the field of stylistics over the last twenty years, represent the state of the art in literary linguistics. A wide range of approaches, from traditional stylistic analysis to innovative new directions, is to be found here in literary contexts as varied as the writings of Chaucer, Shakespeare, Donne, Pope, Sterne, Browning, Yeats, Auden, Joyce, British surrealist poetry, urban and political graffiti, Charlotte Perkins Gilman, Jane Gardam, contemporary Anglo-Irish fiction, modern comic satire and Flann O'Brien. Among the contributors are some of the foremost theorist...
Proust in Perspective
Marcel Proust speaks to us today as a contemporary and a classic. His great novel resonates across languages and time, summing up the past, interpreting the present, and envisioning the future. For Proust in Perspective, scholars from France, Italy, Belgium, Germany, Sweden, Japan, Canada, and the United States have drawn on rich new editions of Proust's novel and correspondence to bring us fresh views of his work. In nineteen original essays, a foreword by Jean–Yves Tadié, and an introduction by editors Armine Kotin Mortimer and Katherine Kolb, this volume guides readers through the dense weave of Proust's fiction and correspondence. The essays take us into the realm of Proustian languag...
The Writer Writing
In an age of authorless, contextless, deconstructed texts, Francis-Noël Thomas argues that it is time to re-examine a fundamental but neglected concept of literature: writing is an action whose agent is an individual. Addressing both general readers and scholars, Thomas offers two cases, Bernard Shaw's Saint Joan and Marcel Proust's A la recherche du temps perdu, read against the background of the authors' large, eccentric, and surprisingly similar claims about their texts as acts. He examines what happens when we take these claims seriously enough to find out why the authors made them in the first place and what bearing they have on the texts themselves. Originally published in 1993. The P...
French XX Bibliography
Provides a listing available of books, articles, and book reviews concerned with French literature since 1885. This work is a reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema.
French XX Bibliography
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Response, Resistance, Deconstruction
Yhteenveto.
Annual bilingual review of the Dutch Marcel Proust Society
"Marcel Proust Aujourd'hui" est une revue internationale bilingue qui veut etre un forum aussi bien pour les specialistes de l'oeuvre de Proust que pour tout lecteur desirant se renseigner sur l'evolution des recherches proustiennes. Des numeros generaux alternent avec des numeros orientes suivant une thematique specifique. "Marcel Proust Aujourd'hui" is an international bilingual review that wants to be a meetingplace for Proust scholars as well as for all those readers of the Recherche who desire to know how the research on his work is developing today. General issues alternate with issues on a specific subject.
"Je," "il," and "vous"
This study traces the development in Proust's portrayal of his narrator, major protagonist, and narratee from his early abandoned novel Jean Santeuil to A la recherche. It adopts a thematic approach and examines many of the published drafts from Proust's Cahiers, as well as the implications of some of the expansions he made to A la recherche in the later years of writing his novel. Focusing on the author's change from third-person narration in Jean Santeuil to first-person narration in A la recherche, the study gives new insights into Proust's compositional methods and sheds light on how his attitude toward his narrator, protagonist, and narratee evolved throughout his career as a writer.
