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Essays on comedy in contemporary Irish theatre
Volume II of the exclusive behind-the-scenes diaries of one of Ireland's most hard-working politicians ... Another hilarious account of local politics from Pat Shortt's legendary creation, the esteemed Councillor Maurice Hickey. The sequel to the popular I will in me Politics which was a runaway success - features a host of hilarious and recognisable characters.
It's rare that a political diary of such significance comes along. The O'Brien Press is proud to announce that Councillor Maurice Hickey has agreed to share his experiences in this informative and insightful account of his political exploits. Councillor Maurice Hickey is a leader in his community, the man who gets things done. And what needs doing in the parishes of Killdicken, Honetyne and Glengooley mostly relates to blocked drains, mad dogs, parish festivals, clerical appointments, over-zealous guards and the occasional romantic dalliance. Global events are not the concern of this councillor or his constituents. Looming large over the political and personal life of Councillor Hickey is the Mother. She is his spin-doctor, cook, inspiration, conscience - and his fiercest critic! A hilarious account of local politics from Pat Shortt's legendary creation, the esteemed Councillor Hickey. This diary could be described as an invaluable piece of social history by people who know nothing about it. If you enjoy watching a man wade through one self-made mess after another, then this is the book for you!
With the success of such films as the Oscar winner Once, Irish film has been getting well-deserved international attention recently. New Irish Storytellers examines storytelling techniques and narrative strategies in contemporary Irish film. Revealing defining patterns within recent Irish cinema, this book explores connections between Irish cinematic storytellers and their British and American colleagues. Díóg O’Connell traces the creative output of Irish filmmakers today back to 1993, the year the Irish Film Board was reactivated, reinvigorating film production after a hiatus of seven years. Reflecting on this key and distinctive era in Irish cinema, this book explores how film gave expression to tensions and fissures in the new Ireland.
For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer ...
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
The best new writing, photography, art, and reportage from and about Ireland—in the series that’s “like a literary vacation” (Publishers Weekly). Ireland is a land full of charm and conflict, a country that in just a few decades has gone from being a poor, semi-theocratic society to a thriving economy free from the influence of the Catholic Church. With the 1998 peace agreements, the conflict between nationalists and unionists seemed, if not resolved, at least dormant. But Brexit—with the ambiguous position it leaves Northern Ireland in—caused old tensions to resurface, with ramifications in politics, society, culture, and sport. Meanwhile, south of the border, epochal transforma...
Featuring a wide range of contributions from luminaries in the fields of literature, sport, the performing arts, and politics The University of Limerick (UL), the first university to be established since the foundation of the Irish state, came about through determined local campaigns. This sumptuously illustrated volume celebrates UL’s fiftieth anniversary, presenting fifty contributions from or about people associated with the university. A wide diversity of writings ranges from scholarly essays to students’ tweets, through poems, presentations and personal memoirs. Voices include those of Loretta Brennan Glucksman, Donal Ryan, Denise Chaila, President Michael D. Higgins, Donnah Sibanda...
A Day In the Life. A snapshot of the world we live in capturing a moment in time. Transgressive fiction depicting the hyper-realism of the mundane on a nondescript Monday in June.
From capsule descriptions/assessments of individual feature films to extended essays on areas such as Irish animation, short film, experimental film and documentary production along with discussion of a wide range of key creative and administrative personnel, the Dictionary combines a breath of existing scholarship with extensive new information and research carried out especially for this volume. It is the definitive guide to Irish cinema in the 21st century. This second edition of Historical Dictionary of Irish Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on key Irish actors, directors, producers and other personnel from over a century of Irish film history. This book is an excellent resource for students, researchers, and anyone wanting to know more about Irish Cinema.