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Cinema em Exílio
  • Language: pt-BR
  • Pages: 208

Cinema em Exílio

Este trabalho de pesquisa tem por objetivo principal realizar um estudo comparativo da tradução do blog Armiejski Dziońnik Franaka Viačorki (2009) para o filme Žyvie Bielaruś! (2012). A narrativa de ambas as obras se passa em Belarus, ex-república soviética desde 1994 governada pelo ditador Aliaksandr Lukašenka, cuja agressiva política de russificação e perseguição a opositores atinge diretamente o ativista e estudante de jornalismo Franak Viačorka, que escreveu o blog durante o período que serviu ao exército na zona de Chernobyl, após ser expulso da faculdade, como punição por participar de manifestações contra o governo. O filme foi produzido na Polônia e proibido em...

A construção do personagem criminoso na literatura e no cinema
  • Language: pt-BR
  • Pages: 191

A construção do personagem criminoso na literatura e no cinema

Esta obra possui como tema o criminoso, a partir da figuração e análise de personagens criados pela literatura e pelo cinema, no fim do século XX e início do século XXI, mais especificamente entre os anos de 1997 e 2002. Embasam esta reflexão as perspectivas teóricas do biopoder, bem como da "dizi-visibilidade", e do "direito à narrativa" que os grupos minoritários têm buscado na contemporaneidade. Estão em debate quatro personagens bastante discutidos e visibilizados nos ambientes da comunicação e da cultura no início do século XX, e que alcançaram um grande público nesse período: Zé Pequeno (Cidade de Deus, 1997, Paulo Lins), Rael (Capão Pecado, 2000, Ferréz), Zé Peq...

Slow Cinema
  • Language: pt-BR
  • Pages: 132

Slow Cinema

O fascínio pela dimensão temporal, evidenciado na forma e/ou na temática de algumas obras, marca uma das principais características encontradas em parte do documentário brasileiro contemporâneo. A ênfase na passagem do tempo ganha maior relevo quando, na busca incessante pela experiência singular do outro, os filmes abordam a memória pessoal como possibilidade de relacionar o ordinário, os gestos mais banais a um modo particular de ser e de estar num mundo em devir. E em se tratando da forma, a preferência por imagens longas e fixas intensifica a ideia de inexorabilidade do tempo, provocando no espectador o que Lúcia Nagib (2013) chama de stasis reflexiva. A tendência por um cinema mais contemplativo, cuja estética da lentidão nos direciona para novas formas de realismo cinematográfico, pode estar relacionada com o que tem se convencionado chamar de slow cinema – caracterizado, principalmente, pela fixação com o tempo, o uso de tomadas longas, a falta de enredo e o foco no cotidiano.

The Prevident Progeny
  • Language: en
  • Pages: 1416

The Prevident Progeny

The information about the book is not available as of this time.

The Gradual Disappearance of Jane Ashland
  • Language: en
  • Pages: 156

The Gradual Disappearance of Jane Ashland

A moving and compelling emotional mystery, by one of the most exciting new talents in Norway Her name is Jane Ashland, and her life has spiralled out of control. Moving between Jane's past and this extraordinary remote landscape, Nicolai Houm weaves a dramatic trail of suspense through one woman's life - via love, grief, and a devastating accident that changes everything. The Gradual Disappearance of Jane Ashland is a compelling, beautifully-written tale of life at its most glorious, and most terrible. Born in 1974, Nicolai Houm has published two novels, a collection of stories and a picture book, all critically acclaimed in Norway. The Gradual Disappearance of Jane Ashland is his first book to be published in English. He works part-time as an editor in the publishing house Cappelen Damm, and lives in Lier with his wife and daughter.

Speculative Everything
  • Language: en
  • Pages: 235

Speculative Everything

  • Type: Book
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  • Published: 2013-12-06
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  • Publisher: MIT Press

How to use design as a tool to create not only things but ideas, to speculate about possible futures. Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be—to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose “what if” questions that are intended to open debate and discussion about the ki...

The Isabella Stewart Gardner Museum
  • Language: en
  • Pages: 170

The Isabella Stewart Gardner Museum

  • Categories: Art

"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.

The Purchasing Power of Money
  • Language: en
  • Pages: 529

The Purchasing Power of Money

  • Type: Book
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  • Published: 2007-11-01
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  • Publisher: Cosimo, Inc.

Perhaps America's first celebrated economist, Irving Fisher-for whom the Fisher equation, the Fisher hypothesis, and the Fisher separation theorem are named-staked an early claim to fame with his revival, in this 1912 book, of the "quantity theory of money." An important work of 20th-century economics, this work explores: the circulation of money against goods the various circulating media the mystery of circulating credit how a rise in prices generates a further rise influence of foreign trade on the quantity of money the problem of monetary reform and much more. American economist IRVING FISHER (1867-1947) was professor of political economy at Yale University. Among his many books are Mathematical Investigations in the Theory of Value and Prices (1892), The Rate of Interest (1907), Why Is the Dollar Shrinking? A Study in the High Cost of Living (1914), and Booms and Depressions (1932).

Handbook of Sepsis
  • Language: en
  • Pages: 264

Handbook of Sepsis

  • Type: Book
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  • Published: 2018-04-13
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  • Publisher: Springer

This practically oriented book provides an up-to-date overview of all significant aspects of the pathogenesis of sepsis and its management, including within the intensive care unit. Readers will find information on the involvement of the coagulation and endocrine systems during sepsis and on the use of biomarkers to diagnose sepsis and allow early intervention. International clinical practice guidelines for the management of sepsis are presented, and individual chapters focus on aspects such as fluid resuscitation, vasopressor therapy, response to multiorgan failure, antimicrobial therapy, and adjunctive immunotherapy. The closing section looks forward to the coming decade, discussing novel trial designs, sepsis in low- and middle-income countries, and emerging management approaches. The book is internatio nal in scope, with contributions from leading experts worldwide. It will be of value to residents and professionals/practitioners in the fields of infectious diseases and internal medicine, as well as to GPs and medical students.

Parisian Sketches
  • Language: en
  • Pages: 157

Parisian Sketches

"No one, not even Toulouse-Lautrec, was so tireless a tracker of Paris�s genius loci as Huysmans. Like many of his radical contemporaries, he was obsessed by the idea of beauty within the ugliness of back-street Paris, by the thought that the distortions of depravity presented a truer picture of our spiritual nature than conventional religion or revolutionary excess. The excellent introduction to these cameos show how Huysmans saw his art as complementary to the painter�s. As the stories themselves testify, however, the results were not always successful. Compare for example, the sharp impressionistic portrayal of 'A Streetwalker' with the hazy, self-regarding raptures of 'The Overture to Tannhauser', a hyperventilating review characterised by sonorous phrases which pile up and collapse. But his symbolist mode yields as many rockets as damp squibs: 'A Nightmare' is genuinely chilling and oddly exultant. A tale about the wandering Jew is a mini-masterpiece. In this and other pieces, Huysmans begins and ends his tale with the same description - giving the whole the air of a medieval chant." Murrough Obrien in The Independent on Sunday