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Edward Hopper
Published in conjunction with an exhibition held at the Seattle Art Museum, Nov. 13, 2008-Mar. 1, 2009.
John Steuart Curry
John Steuart Curry: Inventing the Middle West is the first comprehensive study in more than fifty years of this member of the great triumvirate of American Regionalists: Thomas Hart Benton, Curry, and Grant Wood. It revives the reputation of one of the most important and controversial artists of the first half of the twentieth century, whose paintings of farm life in his native Kansas (including baptisms and tornados), of the circus, of American history, and of the American scene in general were dramatically eclipsed by the ascendancy of abstract art and the New York School at midcentury. 68 colour & 114 b/w illustrations
Andrew Wyeth
An insightful and essential new survey of Wyeth's entire career, situating the milestones of his art within the trajectory of 20th-century American life This major retrospective catalogue explores the impact of time and place on the work of beloved American painter Andrew Wyeth (1917-2009). While previous publications have mainly analyzed Wyeth's work thematically, this publication places him fully in the context of the long 20th century, tracing his creative development from World War I through the new millennium. Published to coincide with the centenary of Wyeth's birth, the book looks at four major chronological periods in the artist's career: Wyeth as a product of the interwar years, whe...
Speculative Landscapes
Speculative Landscapes offers the first comprehensive account of American artists’ financial involvements in and creative responses to the nineteenth-century real estate economy. Examining the dealings of five painters who participated actively in this economy—Daniel Huntington, John Quidor, Eastman Johnson, Martin Johnson Heade, and Winslow Homer—Ross Barrett argues that the experience of property investment exposed artists to new ways of seeing and representing land, inspiring them to develop innovative figural, landscape, and marine paintings that radically reworked visual conventions. This approach moved beyond just aesthetics, however, and the book traces how artists creatively interrogated the economic, environmental, and cultural dynamics of American real estate capitalism. In doing so, Speculative Landscapes reveals how the provocative experience of land investment spurred painters to produce uniquely insightful critiques of the emerging real estate economy, critiques that uncovered its fiscal perils and social costs and imagined spaces outside the regime of private property.
Dark Metropolis
"Social realism at its most vivid and vibrant. Images from an artist who witnessed a century of human struggle. Amazing glimpses of an age of change Stunning retrospective collection of a surrealist master. Not a well-known figure, Irving Norman created monumental works that depicted the world he saw and experienced throughout the decades from World War I into the 70's. There is a dark vision shaped by the wars and enormous change of his times as he saw it - war, revolution, industrialization, and the pace and crush of modern life. This collection attempts to bring Norman to a new position and appreciation among modern American masters."--GoogleBooks.
The Rockefeller Collection of American Art at the Fine Arts Museums of San Francisco
"The American art collection assembled by Mr. and Mrs. John D. Rockefeller 3rd during the 1960s and 1970s constitutes one of the great private collections of historic American painting. This book examines the collection in depth, focusing on 140 works donated to The Fine Arts Museums of San Francisco in the years since 1979." "The works reproduced include examples from America's foremost realist masters. Among them are portraits by John Singleton Copley and Charles Willson Peale; landscapes by Thomas Cole, Frederic E. Church, and Martin Johnson Heade; George Caleb Bingham's extraordinary Boatmen on the Missouri; one of Edward Hick's most ambitious treatments of The Peaceable Kingdom; waterco...
The Unforgettables
Eminent art historian Charles C. Eldredge brings together top scholars to celebrate forgotten artists and create a more inclusive history of American art. Why do some artists become canonical, while others, equally respected in their time, fall into obscurity? This question is central to The Unforgettables, a vibrant collection of essays by leading experts on American art. Each contributor presents a brief for an artist deserving of new or renewed attention, including artists from the colonial era to recent years working in a wide variety of mediums. Histories of American art have traditionally highlighted the work of a familiar roster of artists, largely white and male. The achievements of their peers, notably women and artists of color, have gone uncelebrated. The essays in this volume provide a new and richer understanding of American art, expanding the canon to include many worthy talents. A number of these artists were acclaimed in their day; others, having missed that acclaim, may achieve it now. With contributions from major scholars and museum professionals, The Unforgettables rescues and revises reputations as it enhances and enriches the history of American art.
Black Prometheus
An innovative transnational literary study, Black Prometheus tracks the mythical figure's surprising resonance in Anglo-American antislavery discourse from 1800 until the end of the U.S. Civil War.
Resisting the Place of Belonging
People often overlook the uncanny nature of homecomings, writing off the experience of finding oneself at home in a strange place or realizing that places from our past have grown strange. This book challenges our assumptions about the value of home, arguing for the ethical value of our feeling displaced and homeless in the 21st century. Home is explored in places ranging from digital keyboards to literary texts, and investigates how we mediate our homecomings aesthetically through cultural artifacts (art, movies, television shows) and conceptual structures (philosophy, theology, ethics, narratives). In questioning the place of home in human lives and the struggles involved with defining, defending, naming and returning to homes, the volume collects and extends ideas about home and homecomings that will inform traditional problems in novel ways.
