Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Summary of Patricia Evangelista's Some People Need Killing
Get the Summary of Patricia Evangelista's Some People Need Killing in 20 minutes. Please note: This is a summary & not the original book. "Some People Need Killing" by Patricia Evangelista is a poignant exploration of the human cost of President Rodrigo Duterte's war on drugs in the Philippines. The book follows the story of Lady Love, an eleven-year-old girl from Manila's slums, whose parents are killed by masked gunmen enforcing Duterte's anti-drug campaign. Evangelista, a Filipino journalist, documents the violence and devastation wrought by the campaign, from political assassinations to the deaths of innocent children...
Summary of Some People Need Killing by Patricia Evangelista:A Memoir of Murder in My Country
Some People Need Killing For more than seven months, the Philippine Daily Inquirer kept a record known as the Kill List, documenting the deceased based on reports from correspondents nationwide. Brief descriptions of the circumstances of death were provided, with entries numbered and arranged chronologically. The victims were individuals suspected of involvement in drug trafficking or listed on local drug watchlists. The means of their demise were diverse, ranging from targeted assassinations and clandestine disposal of bodies to drive-by shootings, showcasing the grim creativity of the perpetrators. These fatalities were attributed to drug-related activities, constituting extrajudicial killings, which became a prevalent term in public discourse and media coverage.
Some People Need Killing
TIME’S #1 NONFICTION BOOK OF THE YEAR • A NEW YORK TIMES BOOK REVIEW TOP 10 BEST BOOK OF THE YEAR “Patricia Evangelista’s searing account is not only the definitive chronicle of a reign of terror in the Philippines, but a warning to the rest of the world about the true dangers of despotism—its nightmarish consequences and its terrible human cost.”—Patrick Radden Keefe, New York Times bestselling author of Empire of Pain “Tragic, elegant, vital . . . Evangelista risked her life to tell this story.”—Tara Westover, #1 New York Times bestselling author of Educated “A journalistic masterpiece”—David Remnick, The New Yorker For six years, journalist Patricia Evangelista d...
Summary of Some People Need Killing by Patricia Evangelista:A Memoir of Murder in My Country
DISCLAIMER This book does not in any capacity mean to replace the original book but to serve as a vast summary of the original book. Summary of Some People Need Killing by Patricia Evangelista:A Memoir of Murder in My Country IN THIS SUMMARIZED BOOK, YOU WILL GET: Chapter astute outline of the main contents. Fast & simple understanding of the content analysis. Exceptionally summarized content that you may skip in the original book Patricia Evangelista's "journalistic masterpiece" is a detailed account of the Philippines' state-sanctioned killings of its citizens. The book, which was published by The New Yorker, is a deeply humane chronicle of the country's drug war. Evangelista, who came of age after a street revolution, documented the killings carried out by police and vigilantes under President Rodrigo Duterte's regime. The book captures the atmosphere of fear created when an elected president decides to prioritize certain lives over others. It also delves into the grammar of violence and human impulses to dominate and resist.
The Catalyst
None
Some People Need Killing
LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION ONE OF THE NEW YORK TIMES' BEST BOOKS OF 2023 ONE OF THE ECONOMIST'S BEST BOOKS OF 2023 ONE OF THE NEW YORKER'S BEST BOOKS OF 2023 ONE OF BARACK OBAMA'S BEST BOOKS OF 2023 TIME MAGAZINE'S #1 NONFICTION BOOK OF THE YEAR 'A journalistic masterpiece' David Remnick, New Yorker My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don't wait very long. Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discove...
Official Gazette
None
I Cheerfully Refuse
Barnes & Noble's April Book Club Pick An Amazon Top 10 Editors' Pick A Most Anticipated Book of 2024 from Literary Hub Set in a not-too-distant America, I Cheerfully Refuse is the tale of a bereaved musician taking to Lake Superior in search of his departed, deeply beloved bookselling wife. Encountering lunatic storms and rising corpses from the warming depths, Rainy finds on land an increasingly desperate and illiterate people, a malignant billionaire ruling class, crumbled infrastructure and a lawless society. Amid the Gulliver-like challenges of life at sea, Rainy is lifted by physical beauty, surprising humour, generous strangers and an unexpected companion in a young girl who comes aboard. As his essentially guileless nature begins to make an inadvertent rebel of him, Rainy's private quest for the love of his life grows into something wider and wilder, sweeping up friends and foes alike in his strengthening wake. A rollicking narrative in the most evocative of settings, I Cheerfully Refuse is a symphony against despair and a rallying cry for the future.
Puro Arte
Winner of the 2012 Outstanding Book Award in Cultural Studies, Association for Asian American Studies Puro Arte explores the emergence of Filipino American theater and performance from the early 20th century to the present. It stresses the Filipino performing body's location as it conjoins colonial histories of the Philippines with U.S. race relations and discourses of globalization. Puro arte, translated from Spanish into English, simply means “pure art.” In Filipino, puro arte however performs a much more ironic function, gesturing rather to the labor of over-acting, histrionics, playfulness, and purely over-the-top dramatics. In this book, puro arte functions as an episteme, a way of approaching the Filipino/a performing body at key moments in U.S.-Philippine imperial relations, from the 1904 St. Louis World’s Fair, early American plays about the Philippines, Filipino patrons in U.S. taxi dance halls to the phenomenon of Filipino/a actors in Miss Saigon. Using this varied archive, Puro Arte turns to performance as an object of study and as a way of understanding complex historical processes of racialization in relation to empire and colonialism.
Toward Filipino Self-Determination
Granted formal independence in 1946, the Philippines serves as a battleground between the neoliberal project of capitalist globalization and the enduring aspiration of Filipinos for national self-determination. More than ten million Filipino workers—over one-tenth of the country's total population—work as contract workers in all parts of the world. How did this "model" colony of the United States devolve into an impoverished, war-torn neocolonial hinterland, a provider of cheap labor and raw materials for the rest of the world? In Toward Filipino Self-Determination, E. San Juan Jr. explores the historical, cultural, and political formation of the Filipino diaspora. By focusing on the work of significant Filipino intellectuals and activists, including Carlos Bulosan and Philip Vera Cruz, as well as the issues of gender and language for workers in the United States, San Juan provides a historical-materialist reading of social practices, discourses, and institutions that explain the contradictions characterizing Filipino life in both the United States and in the Philippines.
