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This is the first full-scale study of the dynamic graphic design created in the three decades before World War II, when economic and political upheaval mixed with the pursuit of modernism and elegance to produce a style that came to be known as Art Deco. Chapters on posters, magazines, commercial design, books, and fashion and costume each feature a portfolio of stunning, often rare illustrations.
Beautifully designed and expertly produced, this first full-scale presentation and international survey of Art Deco graphics will be welcomed by professional designers, collectors, photographers, students, and scholars. 474 illustrations, 246 in full color.
A carefully selected presentation of more than 500 of the world's great magazine covers, this book is the first international survey of an expressive medium that has contributed an important esthetic legacy to our culture.
Long-time poster aficionado William Crouse has selected over 300 of the most soughtafter examples of poster art created between the wars for this definitive volume. Organized thematically into subject categories (aviation, communication, fashion and more), this book includes over 300 highly rare and even unique examples by masters of the art form, including Nizzoli, Cassandre and Beall. Each poster - digitally photographed under carefully controlled conditions - is accompanied by an expanded caption that addresses the aesthetic, sociological, economic and/or political context of the image. Introduced by Art Deco specialist Alastair Duncan, Art Deco Posters is an essential addition for all interested in graphic design, Art Deco, and life and culture between 1919 and 1939.
From the Gibson Girl to the flapper, from the vamp to the New Woman, Carolyn Kitch traces mass media images of women to their historical roots on magazine covers, unveiling the origins of gender stereotypes in early-twentieth-century American culture. Kitch examines the years from 1895 to 1930 as a time when the first wave of feminism intersected with the rise of new technologies and media for the reproduction and dissemination of visual images. Access to suffrage, higher education, the professions, and contraception broadened women's opportunities, but the images found on magazine covers emphasized the role of women as consumers: suffrage was reduced to spending, sexuality to sexiness, and ...
'The Medium is the Message' claimed Marshall McLuhan.What better way to survey the ideas, events and leaders of the last century than through the striking images of its magazine covers?Structured thematically, Front Page provides an original and provocative visual account of the twentieth century as depicted by its best-known international periodicals (Vogue, The Tatler, Private Eye, Paris Match, The New Yorker, Newsweek etc). It covers world political and historical events such as the Russian revolution, the Spanish Civil War, Hiroshima, and the fall of the Berlin Wall, and presents the great political and historical characters of an epoch.Iconography can be propoganda, satire, fashion or plain reporting of events. The visual rhetoric of a fast-moving century provides for some startling conclusions - that the most widely featured woman of the entire period was Sophie Loren, the man - Churchill. This is a panoramic view of twentieth-century life and society; a resume of great sporting events, of rock stars, political leaders and other media heros. Fashion and design trends will also be highlighted through the work of the greatest photographers and illustrators.
This report describes the preparations for Operation Enduring Freedom at CENTCOM and elsewhere, Army operations and support activities, building a coalition, and civil-military operations in Afghanistan through the end of June 2002. The research used contemporary records and interviews with key participants to gain authoritative perspectives on events and issues.
The concept of »worldmaking« is based on the idea that ›the world‹ is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing ›dance worlds‹: through artistic practice, discourse and media, choreographic form and dance material. The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral - an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal »world of dance«, but rather a multitude of interrelated dance worlds with more emerging every day.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
In this pioneering study, Hisham Aidi—an expert on globalization and social movements—takes us into the musical subcultures that have emerged among Muslim youth worldwide over the last decade. He shows how music—primarily hip-hop, but also rock, reggae, Gnawa and Andalusian—has come to express a shared Muslim consciousness in face of War on Terror policies. This remarkable phenomenon extends from the banlieues of Paris to the favelas of Rio de Janeiro, from the park jams of the South Bronx to the Sufi rock bands of Pakistan. The United States and other Western governments have even tapped into these trends, using hip hop and Sufi music to de-radicalize Muslim youth abroad. Aidi situates these developments in a broader historical context, tracing longstanding connections between Islam and African-American music. Thoroughly researched, beautifully written, Rebel Music takes the pulse of a revolutionary soundtrack that spans the globe.