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From the early days of pulp magazines to contemporary works of science fiction, the subject of the alien has been a fertile and enduring--if not also the most vital--element of the genre. In Alien Theory, author Patricia Monk asserts that the creation of the alien in short fiction contributes substantially to humanity's understanding of its present status and future potential in the universe. By employing a Jungian and archetypal approach to these stories, Monk attempts to direct the attention of readers to the significance of the vast body of imaginative fiction about the alien, arguing that studying the alien will reveal why this archetype is necessary in the development of humanity's unde...
In an engaging, often elegant style, this first volume of a two-volume narrative history of Dalhousie University chronicles the years from the founding of the university in 1818 by the ninth Earl of Dalhousie to the movement for university federation in 1921-25.
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DigiCat Publishing presents to you this special edition of "Devil on the Moon: A Doc Savage Adventure" by Lester Bernard Dent. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The lieutenant stood beside an oblong hole some feet from where the previous grave had been. What does this look like to you? Kinsey shoved his hands into his pockets. A hole in the ground. It was another grave. Lieutenant Sarkis fastened his gaze on Kinseys face. How do you know? Kinsey surveyed the expanse of earth searching for evidence of their find. Was there another body? No, the lieutenant conceded. Nodding his head in the direction of the forensics van, he added, But theres evidence one had been here. What did that mean? Kinsey frowned. So where is it? Thats what Id like to know. The lieutenants tone accused Kinsey of playing skeleton hide and seek. I know nothing about it. He felt like hed been caught with a smoking gun.
By examining important aspects of science fiction in the twentieth century, this book explains how the genre evolved to its current state. Close critical attention is given to topics including the art that has accompanied science fiction, the subgenres of space opera and hard science fiction, the rise of SF anthologies, and the burgeoning impact of the marketplace on authors. Included are in-depth studies of key texts that contributed to science fiction's growth, including Philip Francis Nowlan's first Buck Rogers story, the first published stories of A. E. van Vogt, and the early juveniles of Isaac Asimov, Arthur C. Clarke and Robert Heinlein.
In The Latinx Files, Matthew David Goodwin traces how Latinx science fiction writers are reclaiming the space alien from its xenophobic legacy in the science fiction genre. The book argues that the space alien is a vital Latinx figure preserving Latinx cultures by activating the myriad possible constructions of the space alien to represent race and migration in the popular imagination. The works discussed in this book, including those of H.G. Wells, Gloria Anzaldúa, Junot Diaz, André M. Carrington, and many others, often explicitly reject the derogatory correlation of the space alien and Latinxs, while at other times, they contain space aliens that function as a source of either enlightenment or horror for Latinx communities. Throughout this nuanced analysis, The Latinx Files demonstrates how the character of the space alien has been significant to Latinx communities and has great potential for future writers and artists.
In this book, Susan Stone-Blackburn studies how the tastes and concerns of one of Canada's leading writers have been given dramatic expression, beginning with The King Who Could Not Dream and Benoni and ending with Question Time and Pontiac and the Green Man. She also examines how Davies' playwriting has been influenced by the dominant tastes of his time and by the conditions under which his plays have been performed. Dealing with the plays chronologically, Stone-Blackburn reveals Davies' fondness for theatricality as opposed to realism, for mythic flavour and archetypal character, his romanticism, and his irrepressible humour.
" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.
Rather than reading small-town representations in Canadian literature as portraits of a parochial past or a lost golden age, this book claims that they are best understood as sophisticated statements on the effects of modernity in an ever-more cosmopolitan world. In Ontario, as urbanization increased over the past century, small towns became a popular literary trope, and Ryan Porter argues that literary small towns are reflections, and even sublimated explorations, of contemporary life. Referencing the theories of heritage scholars, who view popularly understood pasts as constructions shaped by changing sensibilities, You Can't Get There from Here argues that the literary small-town Ontario past is malleable, consisting of attempts to come to terms with the present in which the narrators find themselves. The book focuses on four key Ontario authors - Stephen Leacock, Robertson Davies, Alice Munro, and Jane Urquhart - as well as many secondary authors, and links the readings to much broader trends in actual Ontario towns and in popular culture.