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Bourgeois and Aristocratic Cultural Encounters in Garden Art, 1550-1850
Developments in garden art cannot be isolated from the social changes upon which they either depend or have some bearing. Bourgeois and Aristocratic Cultural Encounters in Garden Art, 1550 - 1850 offers an unparalleled opportunity to discover how complex relationships between bourgeois and aristocrats have led to developments in garden art from the Renaissance into the Industrial Revolution, irrespective of stylistic differences. These essays show how garden creation has contributed to the blurring of social boundaries and to the ongoing redefinition of the bourgeoisie and the aristocracy. Also illustrated is the aggressive use of gardens by bourgeois in more-or-less successful attempts at s...
Sculpture and the Garden
Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.
The Princess's Garden
The untold story of how our national obsession with gardening came to be.
What did Capability Brown do for Ecology? The legacy for biodiversity, landscapes, and nature conservation
This book is based on a major conference with Historic England, Natural England, the Ancient Tree Forum and others which took place in 2016 as part of the celebrations for the tercentenary of Lancelot 'Capability' Brown. The event brought together ecologists, landscape historians and archaeologists, land managers and conservationists to look critically at the impact of Brown and his successors on the UK's landscape. The book addresses the paradigms of these designed landscapes. It considers the issues around the legacy of Brown's creations and ideas and the repercussions that are still apparent today. It makes for a thought-provoking and rich discussion covering habitat conservation and creation, drainage and the release of alien species. This is the untold story of the ecology of Capability Brown and the landscape school which followed.
The Construction of Heritage
A controversial approach to the concept of heritage in contemporary Irish Culture
Performance and Appropriation
Breaking with the idea that gardens are places of indulgence and escapism, these studies of ritualized practices reveal that gardens in Europe, Asia, the United States, and the Caribbean have in fact made significant contributions to cultural change. This book demonstrates methods and the striking results of garden reception studies. The first section explores how cultural changes occur, and devotes chapters to public landscapes in the Netherlands, seventeenth-century Parisian gardens, Freemason gardens in Tuscany, nineteenth-century Scottish kitchen gardens, and the public parks of Edo and modern Tokyo. The second part provides striking examples of construction of self in vernacular gardens in Guadeloupe and American Japanese-style gardens in California. Finally, the third section analyzes struggles for political change in gardens of Yuan China and modern Britain.
The Creation of the British Atlantic World
Was the British Atlantic shaped more by imperial rivalries or by the actions of subnational groups with a variety of economic, social, and religious agendas? The Creation of the British Atlantic World analyzes the interrelationship between these competing explanations for the development of the British Atlantic by examining migration patterns on both the macro and micro level. It also scrutinizes the roles played by trade, religion, ethnicity, and class in linking Atlantic borders and the increasingly complicated legal, intellectual and emotional relationship between the British sovereign and colonial charterholders. Contributors include Joyce E. Chaplin, John E. Crowley, David Barry Gaspar, April Lee Hatfield, James Horn, Ray A. Kea, Elizabeth Mancke, Philip D. Morgan, William M. Offutt, Robert Olwell, Carole Shammas, Wolfgang Splitter, Mark L. Thompson, Karin Wulf, Avihu Zakai.
Sculpture and the Vitrine
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. They separate objects from their contexts, group them with other objects, both similar and dissimilar, and often serve to reinforce their intrinsic or aesthetic values. The vitrine has much in common with the picture frame, the plinth and the gallery, but it has not yet received the kind of detailed art historical and theoretical discussion that has been brought to these other modes of formal display. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with s...
Persuasion and Propaganda
Lavishly illustrated, Persuasion and Propaganda is the first study of these works of art within the framework of colonial politics and political culture. While examining the rise of the idea of the public in the modern world, Joan Coutu also explores how "empire" was constantly being redefined. From private funeral monuments in the West Indies to works erected by the East India Company and the British Parliament, Coutu shows how the youthful British Empire saw itself and validated its mission through sculpture.
Captain Gray's Houses
The fascinating story of the eighteenth-century houses of Sion Row, Twickenham. In telling the story of these houses and their occupants, a remarkable social history is revealed.
