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Taking its cues from the New Narrative writing movement, like a dog considers how sexual identity is morphed, hidden, and denied by cultural forces like film, pornography, rape culture, and sexual semiotics. The speaker of like a dog writes about her sexuality, sexual trauma, and relationships in the epistolary form to explore how the personal becomes collective and how overt sexuality is necessary for questioning dominant ideologies. The intimacy (or perhaps voyeurism) that is opened through the epistolary form is balanced with commentary on the films of Lars von Trier, primarily Nymphomaniac, as a way to move away from the speaker's experiences and into the larger social forces that seek t...
The increased visibility of transgender people in mainstream media, exemplified by Time magazine’s declaration that 2014 marked a “transgender tipping point,” was widely believed to signal a civil rights breakthrough for trans communities in the United States. In Terrorizing Gender Mia Fischer challenges this narrative of progress, bringing together transgender, queer, critical race, legal, surveillance, and media studies to analyze the cases of Chelsea Manning, CeCe McDonald, and Monica Jones. Tracing how media and state actors collude in the violent disciplining of these trans women, Fischer exposes the traps of visibility by illustrating that dominant representations of trans people...
Intimacies, Received signals agency, as trauma is held to the light and finally named. In this astonishing second collection by Taneum Bambrick, violence hides in the glint of the carving knife—every intimacy a shadow, every memory a maze to navigate. Set primarily in rural Southern Spain, Intimacies, Received moves through streets and fields, households and years, following a survivor of sexual assault as she painstakingly reassembles a narrative of self. A brilliant storyteller, Bambrick builds through palimpsest—layering vivid imagery to recall embodiment and dissociation, illness and isolation, queer female sexuality amidst acts of misogyny—utilizing varied forms including ekphrasis, persona, and a lyric essay. Ultimately, Intimacies, Received signals agency, as trauma is held to the light and finally named.
"Wondrous. . . . We Contain Landscapes introduces a gorgeous, determined, and vibrant new voice to American poetry."—Aria Aber, author of Good Girl To whom do we belong, and at what cost? Patrycja Humienik’s debut poetry collection, We Contain Landscapes, is haunted by questions of desire, borders, and the illusion of national belonging. Bringing music and rich sensory detail to the page, these poems attend to the inextricable link between our bodies and the land. Over six ruminative and lush sections, they survey place and memory, both intergenerationally and through emotional bonds with other immigrant daughters. Weaving in letters, innovative forms, and meditations on devotion, sexuality, and self-deceit, We Contain Landscapes introduces a speaker who “will not turn away from the ache of this world.” For every reader who also harbors a voracious longing to encounter infinite landscapes and ways of being, this incisive collection dreams toward a more expansive idea of kinship—of becoming beloved to one another and ourselves.
‘A mesmerizing book, deeply original, one of the most profound reading experiences I’ve had in years ... one feels most urgently her extraordinary force, her dignity, her savage hunger, her sweetness. These poems make me feel as if poems have never before been written’ Louise Glück Grand Tour, the debut collection of poetry by Elisa Gonzalez, dramatizes the mind in motion as it grapples with something more than an event: she writes of a whole life, to transcendent effect. By the end, we feel we have been witness to a poet remaking herself. Gonzalez's poetry depicts the fullness of living. There are the small moments: "white wine greening in a glass," trumpet blossoms "panicking across...
FINALIST FOR THE NATIONAL BOOK AWARD FOR POETRY Winner of the Walt Whitman Award of the Academy of American Poets, selected by Juan Felipe Herrera For years now, I’ve been using the wrong palette. Each year with its itchy blue, as the bruise of solitude reaches its expiration date. Planes and buses, guesthouse to guesthouse. I’ve gotten to where I am by dint of my poor eyesight, my overreactive motion sickness. 9 p.m., Hanoi’s Old Quarter: duck porridge and plum wine. Voices outside the door come to a soft boil. —from “Phnom Penh Diptych: Dry Season” Jenny Xie’s award-winning debut, Eye Level, takes us far and near, to Phnom Penh, Corfu, Hanoi, New York, and elsewhere, as we tr...
An anthology featuring the writing of the 2021 Jack Straw Writers, as selected by Curator E. J. Koh: S. Erin Batiste, C.R. Glasgow, Patrycja Humienik, Grace Jahng Lee, José Luis Montero, Greg November, Tochukwu Okafor, Michael Overa, Paulette Perhach, Abi Pollokoff, Kristie Song, and Daniel Tam-Claiborne.
Go Because I Love You, the debut poetry collection by Jared Harél, is a book of arrivals and departures. It is about childhood and parenthood, desire and obligation, about who we love and how we stay. Through a series of poems which interweave the domestic and daily with the political and historical, Harél crafts a portrait of 21st-century American life that is humorous, haunting and utterly human.
Poetry. Latino/Latina Studies. LGBTQIA Studies. Women's Studies. BEAST MERIDIAN narrates the first- generation Mexican American girl, tracking the experiences of cultural displacement, the inheritance of generational trauma, sexist and racist violence, sexual assault, economic struggle, and institutional racism and sexism that disproportionately punishes brown girls in crisis. Narrated by a speaker in mourning marked as an at- risk juvenile, psychologically troubled, an offender, expelled and sent to alternative school for adolescents with behavioral issues, and eventually, a psychiatric hospital, it survives the school to prison pipeline, the immigrant working class condition, grueling low-...