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Scholarship on artistic output during second wave feminism (SWF) primarily reflects art-genres such as visual art, performance art, literature, and poetry. In The Women’s Music Movement: Music as Feminist Praxis, 1973–1980, Paul Ambrose Shaw III contends the women’s music movement (WMM) was a vibrant locus of feminist activity during SWF but received comparatively less scholarly attention. Specifically, Shaw conducts a content analysis of five songs recorded between 1973 and 1980. As such, he draws on musical elements and structures, poetic and lyrical devices, personal insights from the artists, and feminist theory to explore the following important questions: What can we learn about ...
The Women's Music Movement: Music as Feminist Praxis, 1973-1980 explores second wave feminist movement through the lens of the women's music movement. Featured are content analyses of five songs and an exploration of music as feminist activism.
Black Women’s Liberation Movement Music argues that the Black Women’s Liberation Movement of the mid-to-late 1960s and 1970s was a unique combination of Black political feminism, Black literary feminism, and Black musical feminism, among other forms of Black feminism. This book critically explores the ways the soundtracks of the Black Women’s Liberation Movement often overlapped with those of other 1960s and 1970s social, political, and cultural movements, such as the Black Power Movement, Women’s Liberation Movement, and Sexual Revolution. The soul, funk, and disco music of the Black Women’s Liberation Movement era is simultaneously interpreted as universalist, feminist (in a gene...
In this book you will find an astounding 400 biographies that highlight the history and personnel of the great bands. It is organized into four sections: “The Big Bands--Then” (the scene, the leaders, the public, the musicians, vocalists, arrangers and businessmen, recordings, radio, movies and the press); “Inside the Big Bands” (profiles of 72 top bands); “Inside More of the Big Bands” (hundreds of additional profiles arranged by categories (“The Arranging Leaders,” “The Horn-playing Leaders,” etc.); and “The Big Bands Now.” The Big Bands is one of the best books on the subject. It is both readable and an invaluable reference source for the study of jazz standards since many were written by big band leaders or musicians or were popularized through their performances and recordings. The index is comprehensive with names but lists no songs. George T. Simon was one of the original organizers and members of the Glenn Miller Orchestra for which he played the drums. He was also one of the first writers for Metronome Magazine where he remained from 1935 until 1955.
How To Be A Rock Star is the long-awaited memoir by former EMI head of A&R David Ambrose. Co-authored by acclaimed music writer Lesley-Ann Jones, the book is a riveting rewind through Ambrose's years as a rock musician, performing and recording with Rod Stewart, Ray Davies, Julie Driscoll, Peter Green, Mick Fleetwood and many more. The original bass player with Fleetwood Mac, David turned his back on stardom at the height of his playing potential to become a record company executive at EMI. He found and signed some of the most successful acts of the era: the Sex Pistols, Duran Duran and the Pet Shop Boys. Foreword by Mick Fleetwood, founder and drummer of Fleetwood Mac.
Abstract: This book presents contemporary information on mutagenesis in plants and its applications in plant breeding and research. The topics are classified into sections focusing on the concepts, historical development and genetic basis of plant mutation breeding (chapters 1-6); mutagens and induced mutagenesis (chapters 7-13); mutation induction and mutant development (chapters 14-23); mutation breeding (chapters 24-34); or mutations in functional genomics (chapters 35-41). This book is an essential reference for those who are conducting research on mutagenesis as an approach to improving or modifying a trait, or achieving basic understanding of a pathway for a trait --.
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Reprint of the original, first published in 1882.