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My Life in Cartoons
Paul Driessen was born in 1940, just before The Netherlands were invaded by Nazi Germany and his family lived through the Nazi occupation of Holland. Growing up with parents who were arts and culture advocates, Driessen was surrounded by music, literature, and theatre. In 1967 he moved to London to work on the animated Beatles feature The Yellow Submarine. From its Canadian director, George Dunning, he discovered the National Film Board of Canada, an organization known for its inventive animated shorts. An award-winning director/animator/cartoonist who is the recipient of more than 50 prizes, Driessen has created some of the most acclaimed animated films and books, including an Academy Award nomination for 3 Misses and lifetime achievement awards at both the Ottawa and Zagreb animation festivals. He is recognized worldwide as one of the greatest animators and cartoonists.
The Fundamentals of Animation
The Fundamentals of Animation by Paul Wells offers an illustrated and visually stimulating introduction to the key elements of animation. It discusses the key principles and processes involved in animation, exploring the entirety of the creative process from finding and researching a concept, through the preparation and techniques used, to the execution of the work. Each stage is presented in an engaging visual style, accompanied by examples and analysis of contemporary student and commercial animation. The book also discusses the links between animation and the styles and narratives of other areas of popular culture, aligning theory and ideas to practical advice. It includes a section for aspiring animators examining career paths, portfolios and the structure of the creative industries.
Animation Now!
Survey of 80 of the world's most prominent animation artists and studios.
Canadian Film and Video
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original pub...
Animation Unlimited
Disc characteristics : DVD Region 4.
Digital Encounters
Digital Encounters reconceptualizes the way we think about technology and the moving image, exploring a network of images and technological objects such as animations, digital effects films, computer games and mixed media gallery installations.
Animation: A World History
A continuation of 1994’s groundbreaking Cartoons, Giannalberto Bendazzi’s Animation: A World History is the largest, deepest, most comprehensive text of its kind, based on the idea that animation is an art form that deserves its own place in scholarship. Bendazzi delves beyond just Disney, offering readers glimpses into the animation of Russia, Africa, Latin America, and other often-neglected areas and introducing over fifty previously undiscovered artists. Full of first-hand, never before investigated, and elsewhere unavailable information, Animation: A World History encompasses the history of animation production on every continent over the span of three centuries. Volume II delves int...
Hubris: The Troubling Science, Economics, and Politics of Climate Change
"The book explores problems and issues that have emerged in national and international discussion of policies to address climate change. It concludes that every solution put forward by the UN and activists poses more problems than might ever emerge from the marginal human impact on natural climate change. Rather than mitigation, governments should focus on adaptation. As is, climate change discussions have become captive of a utopian agenda that is using climate change as a stalking horse to drive alarm in the hope that it will convince governments to act."--
The Mediterraneans
" This collection of articles supplements the previous issue on ""The Mediterraneans. Transborder Movements and Diasporas"" (vol. 9 (2000) no. 2). Both publications resonate with a shift in how Mediterranean cultures and societies are constructed in anthropological research and discourse today. Anthropology finds itself challenged by forms of social life and experience that are neither wholly traditional nor unambiguously modern, by social actors who in their own practices and attitudes are breaking down the divide between tradition and modernity. We are studying cultures that we can no longer mistake for those traditional communities whose invention anthropology was complicit with. In dealing with this challenge, a potentially transnational dialogue between anthropologists of various backgrounds has emerged - a dialogue that we especially hope to foster and support with this edition of AJEC. "
