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First Published in 1998. Understanding Animation is a comprehensive introduction to animated film, from cartoons to computer animation. Paul Wells' insightful account of a critically neglected but increasingly popular medium: * explains the defining characteristics of animation as a cinematic form * outlines different models and methods which can be used to interpret and evaluate animated films * traces the development of animated film around the world, from Betty Boop to Wallace and Gromit. Part history, part theory, and part celebration, Understanding Animation includes: * notes towards a theory of animation * an explanation of animation's narrative strategies * an analyis of how comic eve...
The Fundamentals of Animation by Paul Wells offers an illustrated and visually stimulating introduction to the key elements of animation. It discusses the key principles and processes involved in animation, exploring the entirety of the creative process from finding and researching a concept, through the preparation and techniques used, to the execution of the work. Each stage is presented in an engaging visual style, accompanied by examples and analysis of contemporary student and commercial animation. The book also discusses the links between animation and the styles and narratives of other areas of popular culture, aligning theory and ideas to practical advice. It includes a section for aspiring animators examining career paths, portfolios and the structure of the creative industries.
A comprehensive introduction to the history and key themes of the genre. The main issues and debates raised by horror, and the approaches and theories that have been applied to horror texts are all featured. In addressing the evolution of the horror film in social and historical context, Paul Wells explores how it has reflected and commented upon particular historical periods, and asks how it may respond to the new millennium by citing recent innovations in the genre's development, such as the "urban myth" narrative underpinning Candyman and The Blair Witch Project. Over 300 films are treated, all of which are featured in the filmography.
Animation: Genre and Authorship explores the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions, and with what purpose. In this first study to look specifically at the ways in which animation displays unique models of ‘auteurism’ and how it revises generic categories, Paul Wells challenges the prominence of live-action moviemaking as the first form of contemporary cinema and visual culture. The book also includes interviews with Ray Harryhausen and Caroline Leaf, and a full timeline of the history of animation.
Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto. The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves. Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsùsuch as Tarzan, The Jungle Book, and Brother Bearùto reflect on people by looking at the ways in which they respond to animals in cartoons and films.
The definitive portrait of Stephen Harper in power by this country's most trenchant, influential and surprising political commentator. Despite a constant barrage of outrage and disbelief from his detractors, Stephen Harper is on his way to becoming one of Canada's most significant prime ministers. He has already been in power longer than Lester B. Pearson and John Diefenbaker. By 2015, and the end of this majority term, he'll have caught up to Brian Mulroney. No matter the ups and downs, the triumphs and the self-inflicted wounds, Harper has been moving to build the Canada he wants--the Canada a significant proportion of Canadian voters want or they wouldn't have elected him three times. As ...
The post-modern society is so focussed on the internal life of the individual that it makes the significance of the cross a difficult concept to grasp. Even Christians are trying to find alternative ways of explaining it - some have abandoned the concept of atonement entirely. Jesus, though, is far more than a victim. When God receives and approves the condemned Jesus he transcends the world of oppressor and victim to create a new humanity, capable of new kinds of relationships. Atonement speaks of a transition from brokenness, alienation and the death of love to a place of restoration, healing, and wholeness. A place that holds out hope for deepening friendships and mutual confidence - the exact same things the post-modern mind is lacking, and is looking for.
New Jewellery Techniques is a detailed and abundantly-illustrated reference book that focuses on the innovative curved score folding for sheet metal techniques to create beautiful, dynamic three-dimensional forms, much like metal origami, in jewelry and metalsmithing. Anastasia Young and Paul Wells, both renowned UK-based jewelers, authors and lecturers, have created a practical visual handbook on curved scoring and folding techniques applied to jewelry and metalsmithing for small objects. The book's clear, hands-on approach, with explanatory photographs for each step, makes it an invaluable resource for established jewelers wishing to learn more about new techniques, jewelry students, home ...
Writing for animation has its own very specific challenges and rewards. Does your story require a cast of thousands? Is it set underwater or on the edge of an active volcano? Do your characters need to fly to the rescue, or are they giants heavily stomping hapless villagers? Do they need to speak believably? Or is your film completely abstract with no characters at all? It's your film and the possibilities are endless. All these decisions must be carefully considered at the planning stage, alongside a realistic assessment of the available time, skills, budget and resources. It's also important to understand the theories that underpin successful storytelling, and how to use and play with genre conventions. Throughout Screenwriting for Animation, Paul Wells guides you through identifying promising concepts, selecting an appropriate medium, establishing an appropriate tone, theme and plot, as well as exploring narrative structures and character development. With case studies and interviews exploring the working methods of masters of the craft, including Adam Elliot, Bill Plympton and Joan C. Gratz, this is everything you need to get inspired and start writing!
First Published in 1998. Understanding Animation is a comprehensive introduction to animated film, from cartoons to computer animation. Paul Wells' insightful account of a critically neglected but increasingly popular medium: * explains the defining characteristics of animation as a cinematic form * outlines different models and methods which can be used to interpret and evaluate animated films * traces the development of animated film around the world, from Betty Boop to Wallace and Gromit. Part history, part theory, and part celebration, Understanding Animation includes: * notes towards a theory of animation * an explanation of animation's narrative strategies * an analyis of how comic eve...