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Acting Characters is an introductory book for students and aspiring actors to help demystify the process of acting, by breaking the process down into twenty manageable steps.
The first book to explore the work and legacy of the theatrical pioneer who brought theatre-in-the-round to Britain and worked closely with Sir Alan Ayckbourn.
The first detailed study of the major programme of theatre-building in Britain between the 1950s and the 1980s, Modern Playhouses draws on a vast range of archival material to present the history of post-war theatre buildings as a history of ideas relating not only to performance but also to culture, citizenship, and the modern city.
Bringing together some of the best work from the 2015 Comparative Drama Conference in Baltimore, this book covers subjects from ancient Greece to 21st century America with a variety of approaches and formats, including two transcripts, 10 research papers and six book reviews. This year's highlight is the keynote conversation featuring Pulitzer Prize-winning playwright David Lindsay-Abaire. This volume is the twelfth in a series dedicated to presenting the latest research in the fields of comparative drama, performance and dramatic textual analysis.
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
A guide to researching, planning and performing more truthful and realistic characters. It describes 16 easily followed steps designed to simplify Stanislavski's teachings, with practical exercises to follow. This book considers key elements of communication and the characteristics of human behaviour.
The eighth volume in the "Simulation and Gaming Research Yearbook" series brings together topical and authoritative contributions from international professionals involved in the use of games and simulations. There are examples drawn from a wide range of countries.
Paul Elsam's Acting Characters is an introductory handbook for the aspiring actor, compiled of twenty steps grouped into six sections to help create, present and sustain a believable character in most circumstances. Fundamentally practical, the book avoids the heavy discussion of theory that often accompanies books on the subject, looking instead at the essentials of how to use different voices and body language to convey character.
You can present to camera, speak to time, read autocue, conduct an interview, write and memorise scripts; you have a showreel, headshots and a CV—but what next? How do you decide which genre to go for, market yourself and establish your career? The TV Presenter’s Career Handbook is full of information and advice on how to capitalise on your presenter training and contains up-to-date lists of resources to help you seek work, market yourself effectively, and increase your employability. Contents include raising your profile, what kinds of companies to aim for and how to contact them, what to do with your programme idea, video and radio skills, creating your own TV channel, tips from agents...
Updates Lentz's previous work (which Library journal said was "unrivaled"). Section I: actors and actresses. II: directors, producers, screenwriters, cinematographers, special effects technicians, make-up artists, art directors. III: film index. IV: TV series index. V: alternate title index. Annotation copyrighted by Book News, Inc., Portland, OR