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Jasmine visits the Banque Internationale du Midi in order to revive the perfume company her grandfather headed before his death. But she’s shocked by the man she sees there. His name is Lucien and he’s as handsome as a medieval knight. He’s also the imperious man with whom she had a horrible meeting on her trip overseas! She has to ask him for financing, but his cool gaze tells her he won’t support her. Still, she can’t back down! What should she do now?
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
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Music, the Market, and the Marvellous examines féerie, the French fairy play, in the last third of the nineteenth century. It is among the first book-length studies on the genre, the first in a language other than French, and the first from a musicological perspective. Sabbatini demonstrates that, contrary to conventional wisdom, féerie was still thriving during the fin de siècle, giving rise to innovations such as composerly féerie and scientific féerie. The plays, the theatre industry, and urban geography are discussed together, as befits a commercial genre where the marvellous was shaped by the market. Recovering this forgotten ^—^ but once hugely influential ^—^ repertoire provides an occasion to rethink generic taxonomies of Parisian theatre and the ontology of nineteenth-century 'popular' theatre.
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With the twentieth century came a new awareness of just how much an individual was obliged to accept on trust, and this heightened awareness of social trust in turn prompted new kinds of anxiety about fraudulence and deception. Beginning with the premise that the traditional liberal concept of trust as a ’bond of society’ entered a period of crisis around the turn of the twentieth century, this collection examines the profound influence of this shift on a wide range of modernist writers, including James Joyce, Marcel Proust, Gertrude Stein, Ezra Pound, Wyndham Lewis, H.D., Ford Madox Ford, Samuel Beckett, Ralph Ellison and Wallace Stevens. In examining the importance of trust and fraudulence during the period, the contributors take up a diverse set of topics related to reception, the institutions of modernism, the history of authorship, the nature of representation, authenticity, genre, social order and politics. Taken as a whole, Incredible Modernism provides concrete historical coordinates for the study of twentieth-century trust, while also arguing that a problem of trust is central to the institutions and formal innovations of modernism itself.
In a winter wonderland, Nancy takes a walk on the wild side! Nancy, Bess, and George are staying at a rustic lodge in Wyoming, looking forward to fun winter sports like skiing and dogsledding. But their vacation plunges into mystery when Rainbow, the lodge’s tame pet wolf, suddenly disappears, leaving her five newborn pups motherless. Then Nancy learns that the lodge owners are creating a wolf sanctuary on their land—and not everybody is happy. Was stealing Rainbow meant to be a warning? As Nancy investigates, her suspects include a hostile neighbor, a young wolf expert, and a handsome ranch hand. And if she’s not careful, someone in the white wilderness will snow her under for good!