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Theatre Under the Nazis
Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.
Entertaining the Third Reich
On Nazi cinema
Peter Behrens and a New Architecture for the Twentieth Century
The complete story of Behrens' contribution to the history oftwentieth-century architecture.
Medievalism in Europe
Concentrating on Europe, this volume's sixteen essays discuss different forms of medievalism in Germany, France, Italy, Spain, and Serbia. Medievalism, the whole spectrum of post-medieval response to the middle ages, is now accepted as a vital key to the understanding of Western culture and society from 1500 to the present, pervading every aspect of our time, from the popular and artistic to the scholarly. Studies in Medievalism, now published annually, is the one series to provide a regular forum for discussion of medievalism. This volume is devoted to medievalism in Europe, excludingEngland (the subject of Volume IV,1992). Contributors from Europe and America consider medievalism in Germany, Italy, France, Spain and Serbia over a wide range of topics from eighteenth-century French politics and nineteenth-century German nationalism to contemporary Italian film.
Film in the Third Reich
History of the film industry in Nazi Germany. Subversion of the Film Industry; Goebbels Shows His Teeth; Interlude; Goebbels Abolishes the Critics; Goebbels Absorbs the Industry War and Escapism; The Antisemitic Film; Films of the Early War Period; Film in Twilight
Catalogue
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Franz Radziwill and the Contradictions of German Art History, 1919-45
An exploration of the career of Franz Radziwill, investigating the question of art in a Nazi context
German Reich 1933–1937
Executive editor: Wolf Gruner; English-language edition prepared by: Caroline Pearce and Dorothy Mas This volume documents the persecution of the Jews in the German Reich between 1933 and 1937. The documents illustrate the ways in which the Jews in Germany were thrown out of their jobs and excluded from public institutions and public life, and how the Nuremberg Laws reduced the status of German Jews to second-class citizens and set out to sever the ties between Jewish and non-Jewish Germans. It documents the political calculations and strategy of the Nazi ruling elite in relation to antisemitic measures, and the local outbreaks of violence and terror against the Jewish population. It also illustrates the widespread indifference of non-Jewish Germans. In 1935 the Berlin rabbi Joachim Prinz described how the circumstances for the Jewish population had changed: ‘The Jew’s lot is to be neighbourless. We would not find it all so painful if we did not have the feeling that we once did have neighbours.’ Learn more about the PMJ on https://pmj-documents.org/
