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"In this study, Max Whitaker investigates the intriguing accounts of Jesus' resurrection appearances, especially the hidden nature of Jesus, through the lens of Greco-Roman narratives. This throws new light on how Jesus' post resurrection stories would have been understood by their original audiences."-- Back cover.
Ultimately, irony appears to be a term with no definitive meaning, the product of a critical enterprise that over time identified particular literary devices and perspectives a irony."--BOOK JACKET.
The origins of selected instances of metamorphosis in Germanic literature are traced from their roots in Ovid’s Metamorphoses, grouped roughly on an ‘ascending evolutionary scale’ (invertebrates, birds, animals, and mermaids). Whilst a broad range of mythological, legendary, fairytale and folktale traditions have played an appreciable part, Ovid’s Metamorphoses is still an important comparative analysis and reference point for nineteenth- and twentieth-century German-language narratives of transformations. Metamorphosis is most often used as an index of crisis: an existential crisis of the subject or a crisis in a society’s moral, social or cultural values. Specifically selected te...
Exploring the cultural perception of animals in early Chinese thought, this careful reading of Warring States and Han dynasty writings analyzes how views of animals were linked to human self perception and investigates the role of the animal world in the conception of ideals of sagehood and socio-political authority. Roel Sterckx shows how perceptions of the animal world influenced early Chinese views of man's place among the living species and in the world at large. He argues that the classic Chinese perception of the world did not insist on clear categorical or ontological boundaries between animals, humans, and other creatures such as ghosts and spirits. Instead the animal realm was positioned as part of an organic whole and the mutual relationships among the living species—both as natural and cultural creatures—were characterized as contingent, continuous, and interdependent.
The fifteen papers collected in this volume all tackle the complex cultures of Jewish Hellenism. The book covers a wide range of topics, divided into four clusters: Moses and Exodus, Places and Ruins, Theatre and Myth, Antisemitism and Reception.
Werewolf Histories is the first academic book in English to address European werewolf history and folklore from antiquity to the twentieth century. It covers the most important werewolf territories, ranging from Scandinavia to Germany, France and Italy, and from Croatia to Estonia.
Fourteen essays on epic, oral and literary, from ancient to modern, from the Americas to India.
Ancient Athenians resemble modern Americans in their moral discomfort with empire. Athenians had power and used it ruthlessly, but the infliction of suffering did not mesh well with their civic-self-image. Embracing the concepts of democracy and freedom, they proudly pitted themselves against tyranny and oppression, but in practice they were capable of being tyrannical. Pity and Power in Ancient Athens argues that the exercise of power in democratic Athens, especially during its brief fifth-century empire, raised troubling questions about the alleviation and infliction of suffering, and pity emerged as a topic in Atheninan culture at this time.
Reports for 1980- include also the Annual report of the National Council on the Arts.
Classical Mythology offers newcomers and long-time enthusiasts new ways to navigate the world of Greek and Roman myths, beginning by exploring the landscapes where the myths are set. It then provides a richly detailed timeline of mythic episodes from the origin of the cosmos to the end of the Heroic Age--plus an illustrated mythological dictionary listing significant characters, places, events, objects, and concepts.