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Church Militant
By 1952 the Chinese Communist Party had suppressed all organized resistance to its regime and stood unopposed, or so it has been believed. Internal party documents—declassified just long enough for historian Paul Mariani to send copies out of China—disclose that one group deemed an enemy of the state held out after the others had fallen. A party report from Shanghai marked “top-secret” reveals a determined, often courageous resistance by the local Catholic Church. Drawing on centuries of experience in struggling with the Chinese authorities, the Church was proving a stubborn match for the party. Mariani tells the story of how Bishop (later Cardinal) Ignatius Kung Pinmei, the Jesuits,...
People, Communities, and the Catholic Church in China
This book explores the Chinese Catholic Church as a whole as well as focusing on particular aspects of its activities, including diplomacy, politics, leadership, pilgrimage, youths, and non-Chinese Catholics in China. It discusses Sino-Vatican relations and the rationale behind the decisions taken by Pope Francis with regard to the appointment of bishops in China. The book also examines important changes and personalities in the Chinese Church, the Catholic organizations, and the Catholic communities in the Church, offering a key read for researchers and graduate students studying the Chinese Catholic Church, the Church in Asia, and religion in contemporary China.
Thirty Days
From the day Paul Mariani arrives at Eastern Point Retreat House to take part in the five-hundred-year-old Spiritual Exercises of St. Ignatius, he realizes that his expectations and assumptions about who he is, what he knows, and what he believes are about to change radically. In this profound memoir Mariani blends a brief life of St. Ignatius and meditations on the life of Jesus with the day-to-day unfolding of thirty days of silence at the retreat house. His journey of introspection, self-revelation, and spiritual renewal leads him to a new understanding of his relationship with God and of what it truly means to put others before oneself.
Bureaucratic Reform in Provincial China
"Drawing upon the unique public and private papers of Ting Jih-ch’ang, Governor of Kiangsu, 1868–1870, this work examines the implementation of post-Taiping T’ung-chih Restoration programs in that province. The restoration of local order and rectification of society, judicial administration, fiscal affairs, and personnel problems are described against a background of continuous struggle for dominance in the countryside between local government on the one hand and the local elite on the other. Jonathan Ocko demonstrates that the declining quality of local officials resulted in an erosion of public capacity, in particular of the government’s fiscal efficiency, and sharpened the moral dilemmas of office holding. Ocko’s close look at the provincial and local levels of administration and at the day-to-day problems faced by Ting Jih-ch’ang illuminates the frustrations and failures of the reform process."
Epitaphs for the Journey
In Epitaphs for the Journey: New, Selected and Revised Poems, Paul Mariani revisits forty years of writing poems, including revising many of his earlier lyrics, to shape his latest volume into a life lived and lived again over the past seven decades. The eight sections--or cantos--each composed of twelve poems, cover roughly a decade apiece and contour Mariani's search for answers to the constant interplay of the felt presence of the Mystery we call God as it plays with the modern imagination. Mariani's background is Catholic and broadly classic, and warmly embraces all aspects of Christianity and Judaism and the world even beyond those.The Poiema Poetry Series Poems are windows into worlds;...
Red Legacies in China
What has contemporary China inherited from its revolutionary past? How do the realities and memories, aesthetics and practices of the Mao era still reverberate in the post-Mao cultural landscape? The essays in this volume propose “red legacies” as a new critical framework from which to examine the profusion of cultural productions and afterlives of the communist revolution in order to understand China’s continuities and transformations from socialism to postsocialism. Organized into five parts—red foundations, red icons, red classics, red bodies, and red shadows—the book’s interdisciplinary contributions focus on visual and performing arts, literature and film, language and thought, architecture, museums, and memorials. Mediating at once unfulfilled ideals and unmourned ghosts across generations, red cultural legacies suggest both inheritance and debt, and can be mobilized to support as well as to critique the status quo.
Capitalism as Religion? A Study of Paul Tillich's Interpretation of Modernity
The relationship between religion and modern culture remains a controversial issue within Christian theology. Using the concept of “cultural modernity,” Francis Ching-Wah Yip reconstructs Paul Tillich’s interpretation of modernity and shows that Tillich’s notion of theonomy served to underscore the problems of modernity and to develop a response.
One Country, Two Societies
"A collection of essays that analyzes China's foremost social cleavage: the rural-urban gap. It examines the historical background of rural-urban relations; the size and trend in the income gap between rural and urban residents; aspects of inequality apart from income; and, experiences of discrimination, particularly among urban migrants." -- BOOK PUBLISHER WEBSITE.
Zhou Zuoren and an Alternative Chinese Response to Modernity
"This book explores the issues of nation and modernity in China by focusing on the work of Zhou Zuoren (1885-1967), one of the most controversial of modern Chinese intellectuals and brother of the writer Lu Xun. Zhou was radically at odds with many of his contemporaries and opposed their nation-building and modernization projects. Through his literary and aesthetic practice as an essayist, Zhou espoused a way of constructing the individual and affirming the individual’s importance in opposition to the normative national subject of most May Fourth reformers. Zhou’s work presents an alternative vision of the nation and questions the monolithic claims of modernity by promoting traditional aesthetic categories, the locality rather than the nation, and a literary history that values openness and individualism."
