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Hydrological Processes of the Danube River Basin
The Danube River Basin is shared by 19 countries and there is no river basin in the world shared by so many nations. Europe’s second largest river basin with a total 2 area of about 800,000 km is also home to 83 million people of different cultures, languages and historical backgrounds. Management of common water sources and overcoming dif?culties caused by droughts and ?oods requires co-operation between the countries. In 1971 these c- mon interests stimulated the hydrologists of – at that time – eight Danube countries to begin regional co- operation in the framework of the International Hydrological Decade of UNESCO. The result of this research was The Hydrological Monograph of the Danube and its Catchment, which was published in 1986. Since 1975 this co-operation has continued under the umbrella of the International Hydrological Programme (IHP) of UNESCO. In the past 20 years political turbulence has caused an increase in the number of countries, making the co-operation dif?cult at times.
Byzantium
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries...
Master Drawings from the Yale University Art Gallery
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
