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Morbidities and "The Concept of the New Literature"
Ramón Gómez de la Serna (1888-1963) was one of Spain’s most gifted avant-gardists. Oftentimes remembered as the inventor of the greguería—a type of witty and humorous epigram that recasts the commonplace and absurdities of everyday reality—he was a prolific writer and published dozens of novels, essays, short stories, articles, editorials, and biographies throughout his life. Two of his major works—the autobiography Morbidities (1908), and the manifesto “The Concept of the New Literature” (1909)—belong to his earliest period of experimentation. These two early works are of singular importance not only in understanding his development as an avant-gardist, but also in analyzing Spanish literature within the broader framework of European avant-garde culture. With prescient clarity, they highlight many of the aesthetic notions that would revolutionize experimental literature throughout the modernist period. This book offers the first complete English translation of Morbidities and “The Concept of the New Literature,” and it introduces anglophone readers to some of Gómez de la Serna’s most passionate ideas about modernity and “new literature.”
Labyrinth of Imagery
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Remedios Varo
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The Economics of Conflict
Modern economics has largely ignored the issue of outright conflict as an alternative way of allocating goods, assuming instead the existence of well-defined property rights enforced by an undefined third party. And yet even in ostensibly peaceful market transactions, conflict exists as an outside option, sometimes constraining the outcomes reached through voluntary agreement. In this volume, economists offer a crucial rational-choice perspective on conflict, using methodological approaches that range from the game theoretic to the experimental. This text uses the recently developed contest success function to model conflict, examining such topics as alliance formation, regional conflicts un...
A Settling of Accounts
The sixth and final volume of the journals of don Diego de Vargas.
Deconstructing Legitimacy
The overthrow of Viceroy Joaqu&ín de la Pezuela on 29 January 1821 has not received much attention from historians, who have viewed it as a simple military uprising. Yet in this careful study of the episode, based on deep archival research, Patricia Marks reveals it to be the culmination of decades of Peruvian opposition to the Bourbon reforms of the late eighteenth century, especially the Reglamento de comercio libre of 1778. It also marked a radical change in political culture brought about by the constitutional upheavals that followed Napolean's invasion of Spain. Although Pezuela's overthrow was organized and carried out by royalists among the merchants and the military, it proved to be an important event in the development of the independence movement as well as a pivotal factor in the failure to establish a stable national state in post-independence Peru. The golpe de estado may thereby be seen as an early manifestation of Latin American praetorianism, in which a sector of the civilian population, unable to prevail politically and unwilling to compromise, pressures army officers to act in order to &"save&" the state.
Companion to Spanish Surrealism
A comprehensive introduction to Surrealism in Spain, with focus on poetry, art, drama and film.
Unsettling Statecraft
Latin America in the 1980s was marked by the transition to democracy and a turn toward economic orthodoxy. Unsettling Statecraft analyzes this transition in Bolivia, Ecuador, and Peru, focusing on the political dynamics underlying change and the many disturbing tendencies at work as these countries shed military authoritarianism for civilian rule.Conaghan and Malloy draw on insights from the political economy literature, viewing policy making as a "historically conditioned" process, and they conclude that the disturbing tendencies their research reveals are not due to regional pathology but are part of the more general experience of postmodern democracy.
