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Fiction. In this post-lyrical era, poems can be stories, or they can just as easily be exuberant laughter set to words, an experiment in language, or an incidental collation of plays on a Scrabble board. THE PET RADISH, SHRUNKEN, the third full collection of poetry from the inimitable Pearl Pirie, deals in the poetics of sound, language, and play. In true Pirie style, this fresh, quirky, and clear-seeing collection speaks in a range of forms and voices: From a military convoy of turtles, to a Kafkaesque conversation with a housefly, to the dissection of a fruit machine, Pirie offers oulipo found speech as it integrates and disintegrates, plays with and tumbles through language. "Quirky and fresh, playful yet serious, Pirie's collection, THE PET RADISH, SHRUNKEN, demands and activates new pathways of reason. These line-by-line lyrical segments both tantalize and take the reader down the rabbit hole (pulling rabbits out of hats along the way) with their semantic surprises and jumpy music. Pirie sees the world askew and brings the reader along for the ride. An invigorating collection."--Catherine Graham
Franzlations takes the parables and aphorisms of Kafka as a starting point, and steps a few places to the left in order to reinvent them. Sometimes this means walking off a cliff and into the empty air. (Don't look down!) Sometimes this means keeping the cage and replacing the bird. For of course, Kafka's writing is a rich source of ideas, play, structure, and wit. It looks like the real world, but in the way the bootstrap that one pulls oneself up with looks like a real bootstrap. It is said that if Kafka had not existed, Kafka would have had to invent him. But since he did exist, Franzlations has invented an imaginary Kafka so that he could help create the Kafka that was already there. Perhaps it was that. Kafka who helped create these imaginary parables. This, itself, is a parable. A man once said, "If you only followed the parables, you yourselves would become parables and with that rid yourself of all your daily cares." Another replied, "I bet that is also a parable." The first said: "You have won." The second said: "But unfortunately only in parable." The first said: "No, in reality: in parable you have lost." –Franz Kafka
"Mad fury all around"-somehow the right words about life make it easier to get on with it. These poems do exactly that, catching us out in the most adroit, surprising ways: by sheer skill, self-aware intellect, a mordant wit, abundant heart, a gift for metaphor so exact it produces combustible insights of complex truth. These poems brilliantly enact our contradictory nature, its poles, and they compel us to look within. -Eleanor Wilner
Shortlisted for the 2003 Governor General's Award for Poetry.
Ottawa poet Pearl PirieOs been shed bore, her first trade poetry collection, follows years of a small voice gaining in strength, and in volume, through so much subtle activity and quiet disconnect that by the time she was noticed, she was already everywhere, and already a confident voice. In a poetry built on the strength of play, PirieOs writing moves at the speed of sound, slipping up against silence.The poems in the collection are eccentric and perceptive. It is an examination of nation telescoping from the immediate macro view and the distance after historical calm. The combination of landscape poems and plunder makes for an original take on our world.
WINNER OF THE ARCHIBALD LAMPMAN AWARD 2022 WINNER OF THE OTTAWA BOOK AWARD 2022 Words like radio waves, bouncing off the spectres of mortality, middle age, and the mundane. Arriving at middle age was a decisive experience for David O’Meara, standing equidistant to the past and future with its accompanying doubts and anticipations, inviting re-evaluation of past goals, confronting personal loss, and the death of his father and friends. These are the masses on radar, indistinct but detectable existential presences encroaching, and in the center of the radar is the lyric 'I' sweeping its adjacent experience. Poems like "I Carry a Mouse to the Park Beside the Highway," "I Keep One Eye Open and...
The Black Death epidemic spawned Boccaccio's Decameron; the bubonic plague brought us A Journal of the Plague Year. Many other great literary works have centered around storytelling at the time of a pandemic. Of people quarantined in their homes in 1722, Daniel Defoe wrote: It was generally in such houses that we heard the most dismal shrieks and outcries of the poor people, terrified and even frighted to death by the sight of the condition of their dearest relations, and by the terror of being imprisoned as they were. In March of 2020, a new virus in the shape of a crown forced Montrealers and people worldwide to be locked in their homes in fear of contagion. Social distancing, self-isolati...
In 1810, a Scottish student named Jane Cumming accused her school mistresses, Jane Pirie and Marianne Woods, of having an affair in the presence of their students. Dame Helen Cumming Gordon, the wealthy and powerful grandmother of the accusing student, advised her friends to remove their daughters from the Drumsheugh boarding school. Within days, the institution was deserted and the two women were deprived of their livelihoods. Award-winning author Lillian Faderman recreates the events surrounding this notorious case, which became the basis for Lillian Hellman's famous play, The Children's Hour. Reconstructing the libel suit filed by Pirie and Woods—which resulted in a scotch verdict, or a verdict of inconclusive/not proven—Faderman builds a compelling narrative from court transcripts, judges' notes, witnesses' contradictory testimony, and the prejudices of the men presiding over the case. Her fascinating portrait documents the social, economic, and sexual pressures shaping the lives of nineteenth-century women and the issues of class and gender contributing to their marginalization.
"To tell what happened to you is not a poem," writes Governor General Award-winning poet Phil Hall in this, his latest collection, Niagara & Government. What a poem is: roaring calamity, wedding deceptions, sobriety, Charlottesville mobs, estranged sisters, folk art, poverty, puffery, work, names on cenotaphs, white space, white space, white space. These long sequential poems want to be spoken. They invite the reader to check her ego and sit with "the good stories that un-tongued us."
These train poems by Pearl Pirie, the 2011 winner of the Robert Kroetch Award for Innovative Poetry, travel the rails through Quebec and Ontario with insight. There's a pleasing variety in length, tone, and style from the touching to the political with characteristic Pearl Pirie humour and sense of play. The interspersing of the fun visual poems rounds off this excellent collection.