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Panel
Although largely marginal within official accounts of modern architecture, during the second half of the twentieth century the development of large concrete panel systems was central to debates about architecture's modernisation and industrialisation. Through this development, not only was construction transferred from the building site to the factory floor, and manual labour succeeded by automated mass production, but political, aesthetic and ideological debates began to inscribe themselves onto the panel itself, a symbol for a whole new set of architectural values. Distributed and adapted to many different cultural, geographical and political contexts, these systems went beyond national bo...
Disparen sobre el artista
"The essay of Pedro Ignacio Alonso "Shot the artist" elaborates on the distortion of architectural ideas contained in the preponderance of engraving. The text reveals unsuspected relationships, capable of illuminating perplexing aspects of the theory of architecture, as for example the unexpected obsession of Reyner Banham by the primitive cabin [...] Alonso deals with this story of corruption, patronage and networking (something completely plausible in our days) to recognize the twist that makes Banham in order to create an alternative to architecture." --Extract from the text of André Tavares.
Flying Panels
Can concrete panels fly? Though at first it sounds improbable, the answer to this question is yes, they did fly through the world, supported by other structures, both physical and mental. They flew from the factory floor to the building site, from one country to another, and through the most diverse array of media: from paintings to posters, cartoons, photography, film, toys, and even in the design of opera stages. During the second half of the twentieth century, concrete panels were seen soaring across the skies. With essays by Michael Abrahamson, Jimena Castillo, Adrian Forty, Boris Groys, Maria Lind, Jennifer Mack, Philipp Meuser, Natalya Solopova, Erik Stenberg, and Christine Varga-Harri...
MCHAP
MCHAP: The Americas' brings together leading architects and academics in a dialogue exploring the current state of architecture throughout the Americas and explores themes raised by the seven finalist projects (designed by Herzog & de Meuron, Álvaro Siza, Steven Holl Architects, OMA/ LMN? Rem Koolhaas and Joshua Prince-Ramus, Smiljan Radic, Cristián Undurraga, Rafael Iglesia) from the inaugural Mies Crown Hall Americas Prize cycle recognizing the best built work in the Amercas from 2000 through 2013. 0As part of the Mies Crown Hall Americas Prize (MHCAP) program, established by Dean Wiel Arets at IIT Architecture Chicago, recognizing the best built work in the Americas from 2000 through 2013, MCHAP is publishing 'MCHAP BOOK ONE', as well as publications by the authors of MCHAP 2000-2008 winner, Álvaro Siza, the MCHAP 2009-2013 winner, Herzog & de Meuron, and the MCHAP.emerge 2000-2013 winner, Pezo von Ellrichshausen.
MCHAP Book One
MCHAP: The Americas brings together leading architects and academics in a dialogue exploring the current state of architecture throughout the Americas and analyzes themes raised by the seven finalist projects (designed by Herzog & de Meuron, Álvaro Siza, Steven Holl Architects, OMA/ LMN – Rem Koolhaas and Joshua Prince-Ramus, Smiljan Radić, Cristián Undurraga, Rafael Iglesia) from the inaugural Mies Crown Hall Americas Prize recognizing the best built works in the Americas from 2000 through 2013. The book includes contributions from the inaugural MCHAP jury (IITAC Dean Wiel Arets, Kenneth Frampton, Jorge Francisco Liernur, Dominique Perrault, Sarah Whiting) as well as essays by Fabrizio Gallanti, Pedro Alonso, Luis Castañeda, Felipe Correa, Pier Paolo Tamburelli, Horacio Torrent, Molly Wright Steenson, Mimi Zeiger. Co-published with IITAC Press.
PANEL.
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Monolith Controversies
"An original large concrete panel is the centerpiece of the Pavilion of Chile at the 14th International Architecture Exhibition. This was one of the first ever produced by the KPD plant, a Chilean factory for the production of prefabricated housing, which was donated in 1971 by the Soviet Union to the Chilean government led by President Salvador Allende. By bringing together the voices of former KPD workers and scholars, this book tells the history of this panel, which was the agent of significant political, ideological and aesthetic controversies"--Back cover.
Space Race Archaeologies
As the byproduct of the Cold War, the space race produced a considerable number of objects disseminated in networks, not only in the East and West but also in the Global South ? rockets, launching pads, satellite tracking stations, astronomical observatories, and several other pieces of design, machineries, and infrastructures. As they stand today, these objects are remnants of a modernity tied to secrecy, war deterrence, and mass media associated to outer space politics. By bringing together the work of architect Philipp Meuser, photographer Petr Antonov, designer Hugo Palmarola, and historian of science Asif Siddiqi, this book comes from a conference held at the Princeton University School of Architecture in March 2016 on technology and the Cold War, contesting the historiographical status of these objects in order to give value to the manner in which they came to construct current modes of subjectivity and social relations.
Cycles
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Architectural Draughtsmanship
This is the proceedings of the XVI International Congress of Graphic Design in Architecture, EGA 2016, held in Alcalá de Henares, Spain, in June 2016. About 200 professionals and researchers from 18 different countries attended the Congress. This book will be of interest to researchers in the field of architecture and Engineering. Topics discussed are Innovations in Architecture, graphic design and architecture, history and heritage among others.
