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2G: Studio Muoto (Paris)
The latest addition to the 2G Architecture series, focusing on the Paris-based practice Studio Muoto Muoto is an architectural office based in Paris, founded by Gilles Delalex and Yves Moreau in 2003. Its activities cover the fields of architecture, urbanism, design and scientific research. Muoto means 'form' in Finnish. Muoto's work often features minimal structures made of rough materials, as a means to combine different activities, and merge economical as well as aesthetic issues. Vertical diversity as an articulation between building and city scales is a recurrent figure in Muoto's projects. The office has been awarded several prizes, including the Holcim Awards 2014, Equerre d'Argent 2016 and Bauwelt 2017.
MCHAP
MCHAP: The Americas' brings together leading architects and academics in a dialogue exploring the current state of architecture throughout the Americas and explores themes raised by the seven finalist projects (designed by Herzog & de Meuron, Álvaro Siza, Steven Holl Architects, OMA/ LMN? Rem Koolhaas and Joshua Prince-Ramus, Smiljan Radic, Cristián Undurraga, Rafael Iglesia) from the inaugural Mies Crown Hall Americas Prize cycle recognizing the best built work in the Amercas from 2000 through 2013. 0As part of the Mies Crown Hall Americas Prize (MHCAP) program, established by Dean Wiel Arets at IIT Architecture Chicago, recognizing the best built work in the Americas from 2000 through 2013, MCHAP is publishing 'MCHAP BOOK ONE', as well as publications by the authors of MCHAP 2000-2008 winner, Álvaro Siza, the MCHAP 2009-2013 winner, Herzog & de Meuron, and the MCHAP.emerge 2000-2013 winner, Pezo von Ellrichshausen.
idea journal: (extra) ordinary interiors: practising critical reflection
(Extra) Ordinary Interiors features research articles and visual essays by academics, research students and practitioners that demonstrate contemporary modes of criticality and reflection on specific interior environments in ways that expand upon that which is ordinary (of the everyday, common, banal, or taken for granted).
Guillermo Hevia García: Every Design Conceals an Order
Guillermo Hevia García stands out among the latest generation of Chilean architects for his sensitive focus on his projects' public impact, expressed in the ways his buildings obey their own internal logic and respect their local cultural, social and spatial contexts. Every Design Conceals an Order compiles 13 of the architect's designs: built works, projects currently underway and competition entries. Each building is accompanied by a section on the architecture's imaginary context, the visual references Hevia García mobilized in his working process. The publication also shows Hevia García's approaches to architectural representation, as he deploys techniques ranging from planimetrics, axonometric projections and models, renders and illustrations. This is an important part of Hevia García's work, allowing him to give form to his ideas as he explores his intentions and the complexities of the project in order to develop entirely buildable projects.
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On Bramante
A new interpretation of the work of Bramante, suggesting an agenda for contemporary architectural practice In On Bramante, architect Pier Paolo Tamburelli considers the work of the celebrated Italian Renaissance architect Donato Bramante and through this reappraisal suggests a possible agenda for current architectural practice. Bramante, Tamburelli argues, offers an excellent starting point to imagine a contemporary theory of space, to reflect on the relationship between architecture and politics, and to look back—with neither nostalgia nor contempt—at the tradition of Western classicism. Starting from a discussion of the difference in the work of Bramante in Milan (1481–1499) and Rome...
Architecture Follows Nature-Biomimetic Principles for Innovative Design
This full-color volume proposes an innovative methodology that uses the functional aspects of nature to inspire improvements in building design and form, encouraging designers to apply biomimetic principles to architectural processes. The book focuses on the analysis of various animal skins, translating the principles of communication, thermoregulation, water balance, and protection into the built environment. Illustrating how biomimetic principles can create a more sustainable way of building, this is the first time the author's new methodology-as well as the 12 case studies-has been published.
Traveling Auteurs
What tensions characterized the relationships between cinema, European Leftists, and emerging postcolonial ideologies after World War II? In Traveling Auteurs, author Luca Caminati analyzes the work of influential Italian filmmakers Roberto Rossellini, Pier Paolo Pasolini, and Michelangelo Antonioni as they engaged politically and aesthetically with the global landscapes and politics of the Cold War period. As documentaries, the films considered in this book record specific manifestations of political sensibilities of the twentieth century. As bodies of work, they reveal that the traveling auteurs who made them were symptomatic actors in complex geopolitical networks. As cultural objects ref...
Architectural Intelligence
Architects who engaged with cybernetics, artificial intelligence, and other technologies poured the foundation for digital interactivity. In Architectural Intelligence, Molly Wright Steenson explores the work of four architects in the 1960s and 1970s who incorporated elements of interactivity into their work. Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte and the MIT Architecture Machine Group all incorporated technologies—including cybernetics and artificial intelligence—into their work and influenced digital design practices from the late 1980s to the present day. Alexander, long before his famous 1977 book A Pattern Language, used computation and str...
Portals
Portals: Pedagogy, Practice, and Architecture’s Future Imaginary considers the COVID-19 pandemic and the remote pedagogy it occasioned globally in schools of architecture, as a critical threshold to future architectural pedagogy, practice, and spatial imaginaries. Given that the conceit of a “return to normal” is neither desirable nor possible, this book speculates upon possible futures for the discipline of architecture, through the lens of the Thesis and Directed Research projects of the RISD Architecture class of 2020. This book documents an interregnum, a pause, a moment of self-reflection in which architects, imperiled by the COVID-19 pandemic and all of the forms of inequity that...
