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Selections from Erasmus Principally from His Epistles
"Selections from Erasmus Principally from his Epistles", published in 1918 by Percy Stafford Allen.
Burgundy - The Splendid Duchy
"Burgundy - The Splendid Duchy" from Percy Stafford Allen. British classical scholar (1869 - 1933).
Burgundy
"Burgundy - The Splendid Duchy" from Percy Stafford Allen. British classical scholar (1869 - 1933).
Man on His Own
In the twentieth century, Mansfield concludes, more modern ways of studying Erasmus have emerged, notably through seeing him more precisely in his own historical context.
Juan de Valdés and the Italian Reformation
Juan de Valdés played a pivotal role in the febrile atmosphere of sixteenth-century Italian religious debate. Fleeing his native Spain after the publication in 1529 of a book condemned by the Spanish Inquisition, he settled in Rome as a political agent of the emperor Charles V and then in Naples, where he was at the centre of a remarkable circle of literary and spiritual men and women involved in the religious crisis of those years, including Peter Martyr Vermigli, Marcantonio Flaminio, Bernardino Ochino and Giulia Gonzaga. Although his death in 1541 marked the end of this group, Valdés’ writings were to have a decisive role in the following two decades, when they were sponsored and diff...
Medieval Essays
This book is a collection of nine articles by the twentieth century's leading medievalist, Etienne Gilson. A major participant in the revival of Thomistic philosophy, Gilson was a member of the French Academy and, after a university career culminating at the Sorbonne and the College de France, he turned down an invitation from Harvard University to become the guiding spirit of the Pontifical Institute of Medieval Studies at the University of Toronto for several decades. Several of the articles stand on their own as making a significant contribution to topics like St. Anselm's ontological argument for the existence of God. Likewise, "The Middle Ages and Naturalism" contrasts Renaissance Human...
The Moment of Self-Portraiture in German Renaissance Art
So foundational is this invention to modern aesthetics, Koerner argues, that interpreting it takes us to the limits of traditional art-historical method. Self-portraiture becomes legible less through a history leading up to it, or through a sum of contexts that occasion it, than through its historical sight-line to the present. After a thorough examination of Durer's startlingly new self-portraits, the author turns to the work of Baldung, Durer's most gifted pupil, and demonstrates how the apprentice willfully disfigured Durer's vision. Baldung replaced the master's self-portraits with some of the most obscene and bizarre pictures in the history of art. In images of nude witches, animated cadavers, and copulating horses, Baldung portrays the debased self of the viewer as the true subject of art. The Moment of Self-Portraiture thus unfolds as passages from teacher to student, artist to viewer, reception, all within a culture that at once deified and abhorred originality.
Inventing Inventors in Renaissance Europe
Polydore Vergil of Urbino (ca.1470-1555) fired his readers' imagination with his encyclopaedic book On the inventors of all things ( De inventoribus rerum 1499). His account of the manifold origins of sciences, crafts and social institutions is a praise of man's inventive genius and a prototypical cultural history. Polydorus was a household name for several centuries. Erasmus envied his friend the book's success, Rabelais heaped scorn on it, Catholic censors put it on the index, while Protestants were fascinated with that papist work. In this first in-depth study of the Renaissance 'bestseller', Catherine Atkinson examines not only the Italian humanist's bona fide (mostly ancient) inventors,...
