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Between the mid-18th and mid-19th centuries, Britain evolved from a substantial international power yet relative artistic backwater into a global superpower and a leading cultural force in Europe. In this original and wide-ranging book, Hoock illuminates the manifold ways in which the culture of power and the power of culture were interwoven in this period of dramatic change. Britons invested artistic and imaginative effort to come to terms with the loss of the American colonies; to sustain the generation-long fight against Revolutionary and Napoleonic France; and to assert and legitimate their growing empire in India. Demonstrating how Britain fought international culture wars over prize antiquities from the Mediterranean and Near East, the book explores how Britons appropriated ancient cultures from the Mediterranean, the Near East, and India, and casts a fresh eye on iconic objects such as the Rosetta Stone and the Parthenon Marbles.
Defoe's Robinson Crusoe has exerted a powerful fascination of generations of readers since its publication in 1719. And not only readers, but artists too; few works have ever been published in so many illustrated editions. In this analysis of over 100 representative illustrations Blewett shows both how Crusoe as a figure in the Western imagination and Robinson Crusoe as a text have been viewed and interpreted by illustrators and engravers not only in the English speaking world byt in Europe as well. His unique study is an invaluable work not only for fans of Defoe's most famous work, but for everyone interested in the history of book illustration.
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