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Permission to Laugh explores the work of three generations of German artists who, beginning in the 1960s, turned to jokes and wit in an effort to confront complex questions regarding German politics and history. Gregory H. Williams highlights six of them—Martin Kippenberger, Isa Genzken, Rosemarie Trockel, Albert Oehlen, Georg Herold, and Werner Büttner—who came of age in the mid-1970s in the art scenes of West Berlin, Cologne, and Hamburg. Williams argues that each employed a distinctive brand of humor that responded to the period of political apathy that followed a decade of intense political ferment in West Germany. Situating these artists between the politically motivated art of 196...
During the second half of the twentieth century, in a world transformed by international tensions, the centre of artistic creation shifted from Europe to the United States. In a world where major countries asserted their power, individualism now ruled. The art world was a perfect example of this phenomenon; even now, the emphasis of creativity is placed on the individual instead of the trend. Moreover, growing globalization and the various types of media have facilitated a multiplication of means and offered artists new possibilities. Now, at the dawn of the twenty-first century, everything has the potential to be art, and art, more than ever, is the opportunity to take risks - to present and transform almost anything. This work invites the reader to discover the diversity of this most recent artistic environment.
The 20th century was a revolutionary period in art history. In the span of a few short years, Modernism exploded into being, disrupting centuries of classical figurative tradition to create something entirely new. This astoundingly thorough survey of art's modern era showcases all of the key artistic movements of the 20th century, from Fauvism to Pop Art, featuring illustrative examples of some of the most renowned works of the era along with illuminating companion essays by expert critics and art historians. A vivid window into the collective psyche of the modern world's great artists, Art of the 20th Century is a must-have for any fan of contemporary art.
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on th...
Catalogus bij een tentoonstelling over de relatie tussen rockmuziek en avantgardistische kunst sinds de zestiger jaren.
At the end of the 1970s and the beginning of the 1980s, German art, more specifically West German painting, achieved a spectacular and surprising presence on the national and international art market. These artists were often referred to as 'Neo-expressionists' or 'New Wilds'. Many of the painters who became internationally acknowledged during this time are represented in this book. The works of artists who did not follow this particular path are also discussed. Since the Berlin Wall came down on 9 November 1989, the art scene in Germany has been stimulated also by a large number of artists who have been living and working in the former German Democratic Republic.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Three weeks before Christmas, on December 1, 1958, one of the most horrific fires in American history broke out at Our Lady of the Angels elementary school in Chicago, claiming the lives of ninety-two children and three nuns. Fire Angels is a fictional account of that fire. It's a story of arson; of bravery by parents, nuns, firefighters, and medical professionals; of a falsely accused janitor; of a cover-up within the Catholic Church; of a judge who, in having to determine the juvenile arsonist's fate, is torn between loyalty to his church and justice; of a tight-knit community changed forever; and of two survivors who fall in love. Fire itself is also a central character in this story, a cunning observer that comes to life whenever a flame is lit.