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The Best Fooling
In the first volume of his memoirs, As Far As I Remember, Michael Bawtree told the story of his youthful years, from his birth in Australia to growing up in England during and after World War II, with an education at Radley College and Worcester College, Oxford and a two-year stint in the British Army. In this second volume he recounts his experience as a raw new immigrant in Canada, and his first steps as a professional actor, a university instructor, a book critic, dramaturge and playwright. In the years that followed he made a name for himself at the newly-founded Simon Fraser University, where he initiated the theatre program, and at the Stratford Festival, where he eventually served as ...
Turn Up the Contrast
From Shakespeare to cop shows, sitcoms to docudramas, for over three decades the CBC has presented viewers with every variety of television drama and has become Canada's closest equivalent to a national theatre. Turn Up the Contrast is the first book to explore the content of Canadian television drama and is both a critical analysis and a survey history of how Canadians have used the medium to tell themselves their own stories. As a part of her research, Mary Jane Miller watched thousands of hours of television, sampling series and viewing in their entirety shorter programs such as movies and mini-series. Asking a variety of questions, she selected a number of programs for detailed analysis, and devotees of The Beachcombers, King of Kensington, Seeing Things, Cariboo Country, Wojeck or A Gift to Last will be pleased to find their favourites among those discussed at length. A University of British Columbia Press / CBC Enterprises Co-Publication.
The Gendered Screen
This book is the first major study of Canadian women filmmakers since the groundbreaking Gendering the Nation (1999). The Gendered Screen updates the subject with discussions of important filmmakers such as Deepa Mehta, Anne Wheeler, Mina Shum, Lynne Stopkewich, Léa Pool, and Patricia Rozema, whose careers have produced major bodies of work. It also introduces critical studies of newer filmmakers such as Andrea Dorfman and Sylvia Hamilton and new media video artists. Feminist scholars are re-examining the ways in which authorship, nationality, and gender interconnect. Contributors to this volume emphasize a diverse feminist study of film that is open, inclusive, and self-critical. Issues of hybridity and transnationality as well as race and sexual orientation challenge older forms of discourse on national cinema. Essays address the transnational filmmaker, the queer filmmaker, the feminist filmmaker, the documentarist, and the video artist—just some of the diverse identities of Canadian women filmmakers working in both commercial and art cinema today.
Done Hunting
The final installment of the critically acclaimed memoir series Done Hunting brings Martin HunterÍs memoirs to a close, sharing adventures and observations from his sixth to ninth decades. With descriptions of theatrical productions heÍs written and directed, it also provides a subtle commentary on Canada and its social and cultural place in the world. Done Hunting also chronicles HunterÍs experiences as a magazine and radio journalist and his unsuccessful attempts to break into film and television as a scriptwriter. Accounts of his travels in Mexico, Sweden, England, France, and Italy include fascinating encounters with Laurier LaPierre, Bill Glassco, David Earle, and Adrienne Clarkson and writers Barry Callaghan, Mavis Gallant, and Gore Vidal. His friendship with Richard Monette and peripheral involvement with the Stratford Festival, as well as his work as a philanthropist as president of the K.M. Hunter Charitable Foundation, are highlights of this fascinating and insightful self-examination.
A Biographical Encyclopedia of Scientists and Inventors in American Film and TV since 1930
Films that dramatize historical events and the lives of historical figures-whether they are intended to educate or to entertain—play a significant role in shaping the public's understanding of the past. In The Hollywood History of Science and Technology, A. Bowdoin Van Riper focuses on the dramatized portrayals of a particular group of historical figures—scientists, engineers, and inventors—that have appeared on American film and television screens. This volume analyzes individual portrayals, the public images of particular scientists and inventors, and the ideas about science and technology that, collectively, they represent. In this first in-depth study of how historic scientists and...
Armchair Theatre
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