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The Institutions of Art
Art has been an umbrella term for poetry; music, dance, sculpture painting, and architecture since the end of the eighteenth century, when the bourgeoisie were establishing their hegemony over culture and politics in Germany, labor was becoming more clearly divided, and religion was losing its unifying force. Art became a broad and separate entity as the expectations and experience of it changed. The Institutions of Art concentrates on German and French literature in illustrating the formation of aesthetic autonomy and the divergence between high and popular culture. Peter B_rger builds on his earlier Theory of the Avant-Garde (1984), pushing further into key theoretical questions about art and society. Christa B_rger extends the critique to the history of the novel, focusing on Goethe and Kleist. Looking backward to feudalism and forward to our century, the authors show how the function of art has changed along with the criteria for its production and evaluation.
The Thinking of the Master
Mastery of many sorts emerges in new configurations in Peter Burger's book: as an idea developed by Hegel in the master-slave dialectic in his Phenomenology of Spirit; as a quality embodied in the work of certain 20th century master-thinkers; and, not least, in the expertise of Burger himself, as he negotiates and clarifies a critical intersection of contemporary French and German thought. Burger here considers what several seminal thinkers - Bataille, Blanchot, Barthes, Foucault, Lacan, Derrida, Heidegger, as well as novelist Michel Tournier - owe to Hegel's dialectic, and measures their accomplishment against the avant-garde project. Each of his essays in this volume stands alone as a valuable exposition of a significant strain of postmodern thought. Together, they illuminate much of the landscape of 20th-century intellectual and cultural history.
Theorizing the Avant-Garde
In Modernism, Expressionism and Theories of the Avant Garde, Richard Murphy mobilises theories of the postmodern to challenge our understanding of the avant-garde. He assesses the importance of the avant-garde for contemporary culture and for the debates among theorists of postmodernism such as Jameson, Eagleton, Lyotard and Habermas. Murphy reconsiders the classic formulation of the avant-garde in Lukacs and Bloch, especially their discussion of aesthetic autonomy, and investigates the relationship between art and politics via a discussion of Marcuse, Adorno and Benjamin. Combining close textual readings of a wide range of films as well as works of literature, it draws on a rich array of critical theories, such as those of Bakhtin, Todorov, MacCabe, Belsey and Raymond Williams. This interdisciplinary project will appeal to all those interested in modernist and avant-garde movements of the early twentieth century, and provides a critical rethinking of the present-day controversy regarding postmodernity.
Configuring SAP ERP Financials and Controlling
SAP is the world leader in Enterprise Resource Planning (ERP) software; of the software?s modules, the FI (Finance) and CO (Controlling) are by far the most popular and are widely implemented. This book has no competition?it is the only book on the market on how to configure and implement SAP?s FI and CO modules to maximize functionality and features hands-on, step-by-step instructions and real-world examples that provide immediate and practical solutions. Updated for SAP?s ECC 6.0, the book covers FI enterprise structure, general ledger, substitutions and validations, automatic account assignments, accounts payable and receivable, asset accounting, accrual engine, closing entries, credit management, lockbox, CO enterprise structure, profitability analysis (CO-PA), and more.
Interactive Computer Graphics
This text covers the theoretical, mathematical foundations, as well as the practical, algorithmic methods needed to design and implement computer graphics program, with a central theme of generation and manipulation of graphic scenes in real time with human control or interaction. Features covers important graphic standards and device-level method makes a range of advanced material accessible to all software and hardware independent.
Art of the Twentieth Century
This reader, a companion to The Open University's four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. The writings were originally published as freestanding essays or chapters in books, and they reflect the diversity of art historical interpretations and theoretical approaches to twentieth-century art. Accessible to the general reader, this book may be read independently or to supplement the materials explored in the four course texts. The volume includes a general introduction as well as a brief introduction to each piece, outlining its origin and relevance.
The Decline of Modernism
In this lucid and stimulating new book, Peter Burger, one of the foremost literary critics in Germany today, addresses the relationship between art and society, from the emergence of bourgeois culture in the eighteenth century to the decline of modernism in the twentieth century. In analysing this relationship, Burger draws on a wide range of sociological and literary-critical sources - Weber, Benjamin, Foucault, Diderot and Sade among others. He argues that in questioning the formal relationship between art and life which had dominated the eighteenth and nineteenth centuries, the avant gardist movements of the early twentieth century brought about the crisis of postmodernism. Burger charts the establishment of literary and artistic institutions since the Enlightenment and their apparent autonomy of the prevailing political systems. However, he argues that the discovery of the obverse of Enlightenment, namely barbarism, revealed the interdependence of art and society and set the scene for the avant-gardist protest against aesthetics formalism.
Hop on Pop
Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultu...
Betrayal
The true story behind the Nazi saboteurs captured on Long Island in 1942, their betrayal by J. Edgar Hoover, and the shameful secret behind the case the established the reputation of the FBI. At 4 AM on a foggy morning in 1942, Nazi submarines discharged eight men along the coasts of Long Island and Florida. A few days later, J. Edgar Hoover further burnished his reputation by announcing the swift capture of Nazi soldiers found prowling our shores, intent on sabotage. Omitted from the record (and still denied by the FBI) is the true story behind Hoover's greatest publicity coup: the saboteurs' leader, George Dasch, betrayed his own country by turning himself in first to a disbelieving FBI. Hoover promised Dasch clemency and assurances that the jerry-rigged "military tribunal" created to try the men as "unlawful combatants" was merely a formality to protect loved ones from Nazi retribution. Using documentation from the FBI archives, interviews and memoirs, David Alan Johnson carefully recounts the mounting betrayals in this utterly engrossing saga.
