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Photography and the Contemporary Cultural Condition
In this book, Osborne demonstrates why and how photography as photography has survived and flourished since the rise of digital processes, when many anticipated its dissolution into a generalised system of audio-visual representations or its collapse under the relentless overload of digital imagery. He examines how photography embodies, contributes to, and even in effect critiques how the contemporary social world is now imagined, how it is made present and how the concept and the experience of the Present itself is produced. Osborne bases his discussions primarily in cultural studies and visual cultural studies. Through an analysis of different kinds of photographic work in distinct contexts, he demonstrates how aspects of photography that once appeared to make it vulnerable to redundancy turn out to be the basis of its survival and have been utilised by much important photographic work of the last three decades.
Anywhere or Not at All
A new reading of the philosophy of contemporary art by the author of The Politics of Time Contemporary art is the object of inflated and widely divergent claims. But what kind of discourse can open it up effectively to critical analysis? Anywhere or Not at All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Developing the position that “contemporary art is postconceptual art,” the book progresses through a dual series of conceptual constructions and interpretations of particular works to assess the art from a number of perspectives: contemporaneity and...
This is Not a House
The US mortgage crisis exposed weaknesses in the regulation of the financial industry and the global financial system. At the end of 2008, as the fall-out from the crisis became increasingly widely felt, Edgar Martins was commissioned by New York Times Magazine to photograph its impact across the US in eight separate states and across 16 different locations. These carefully researched sites exposed the extent and impact of the credit crunch on the construction industry.
No Grain, No Pain
In the tradition of Wheat Belly and Grain Brain; No Grain, No Pain demonstrates the proven link between a gluten-heavy diet and chronic pain and discomfort—and offers a groundbreaking, 30-day, grain-free diet plan to help you heal yourself from the inside out. More than 100 million Americans suffer from chronic pain according to an Institute of Medicine report released in 2011. For many, chronic pain is part of an autoimmune disease, but all too often doctors turn to the same solution: painkilling drugs. But all of this medication simply isn’t helping, and as Dr. Peter Osborne, the leading authority on gluten sensitivity and food allergies has found, the real solution often lies in what ...
Philosophy in Cultural Theory
Philosophy in Cultural Theory boldly crosses disciplinary boundaries to offer a philosophical critique of cultural theory today. Drawing on the legacy of Walter Benjamin, Peter Osborne looks critically at central philosophical debates in cultural theory, such as: * the relationship between sign and image * the technological basis of cultural form * the conceptuality of art * the place of fantasy in human affairs. It will appeal to those in philosophy, cultural studies and art theory.
Old Saint Peter's, Rome
Provides the first full study of the predecessor church of St Peter's Basilica in Rome, from late antique construction to Renaissance destruction.
Travelling Light
A study of the close and continuous relationship between two of modern culture's central phenomena: the photographic image and travel. Contributing to the growing literature of travel and its representations, the book argues that from the beginnings, photography has played a constitutive role in the formation of travel - comparable in importance to its part in the potrayal of social idenity. It shows how, in turn, travel has shaped the use and language of all types of photographuc production.
Conceptual Art
Conceptual art marks a major turning point in late twentieth-century art. An art of ideas - which can be written, published, performed, fabricated, or which can simply remain inside your head - it is also an art of questions. Since its emergence in the mid 1960s, it has challenged our precepts about not only art but society, politics and the media. An international movement, Conceptual art encompasses not only North America and Western Europe but also South America, Eastern Europe, Russia, China and Japan. Its legacy is global, ranging from small local participatory projects to large-scale installations at major museums and biennales. This comprehensive volume combines in one book an authoritative Survey essay by philosopher and art historian Peter Osborne, tracing Conceptual art's origins in Europe, Japan and the USA, its development throughout the 1960s and 1970s and its legacy in contemporary art; a Works section documenting the key works, divided usefully into six distinctive types of Conceptual art; and a Documents section including texts by philosophers and writers who crucially influenced the movement, alongside key original texts by artists, critics and art historians.
Global Fissures
Contains analyses of literary texts written by, among others, Chinua Achebe , Samuel Beckett, James Joyce, Michael Ondaatje, George Orwell, Salman Rushdie and Edward Said.
